New Books In Journalism

Investigative journalist and Northwest correspondent for the Southern Poverty Law Center, David Neiwert has been covering the radical right-wing for decades. In Alt-America: The Rise of the Radical Right in the Age of Trump (Verso, 2017), Neiwert takes his years of experience to chronicle the rise of what is now known as the “Alt Right,” and how it contributed to the election of Donald Trump to the White House. Neiwert shows how the militia movement of the 1990s, the anti-immigrant Minutemen of the 2000s and the Tea Party that surged in 2010 all led to the “Alt Right.” Neiwert also discusses the Alt Right’s relationship with domestic terrorism, from the 1995 Oklahoma City bombing to the 2015 Charleston church massacre. The book also explores the far right’s attraction to conspiracy theories, going back to Henry Ford’s promotion of the “The Protocols of the Elders of Zion.” Neiwert considers radical right is fundamentally authoritarian and anti-democratic, and considers the question often asked about fascism i

For all the American media coverage of President Donald Trump’s possible ties to Russia, what’s rarely heard are the voices of Russians themselves. Russians on Trump: Coverage and Commentary (East View Press, 2018), edited by Laurence Bogoslaw, surveys the range of opinions about Trump that have appeared in the Russian press from the late 1990s to today. Before 2015, Trump’s sporadic appearances in Russian news outlets mostly centered on his efforts to hawk real estate. During the presidential campaign, some Russian commentators were intrigued by the idea that Trump might reduce American commitments abroad; focusing on policy rather than personality, they arguably took him seriously as a political player before domestic pundits did. Nevertheless, Trump’s election came as a shock to Russian analysts, many of whom had predicted a Clinton victory. While flamboyant ultranationalist politician Vladimir Zhirinovsky popped champagne, others (such as Moscow Times editor Mikhail Fishman) despaired. “The hope for chang

During the 2016, journalist Salena Zito, who is based in Western Pennsylvania, sensed a brewing conservative populist in the white working-class when many thought the election would be determined by other demographic groups. Her dispatches from the back roads proved prescient when Donald Trump won the presidency. She teamed up with Republican political consultant and data guru Brad Todd to produce The Great Revolt: Inside the Populist Coalition Reshaping American Politics (Crown Forum, 2018). The authors created an in-depth survey of Trump voters, which allowed them to define seven archetypes of people who composed the new political coalition that hadn’t been previously detected. In the book, Zito also introduces readers to some of people she met on the campaign trail who exemplify the different profiles. The authors argue that no matter what happens with the Trump presidency, the Great Revolt has disrupted the two-party system to such an extent that the Democratic and Republican parties will no longer “have

Appeals to “press freedom” can be heard from across the political spectrum. But what those appeals mean varies dramatically. Sam Lebovic, in his excellent new book, Free Speech and Unfree News: The Paradox of Press Freedom in America (Harvard University Press, 2016), traces the fraught history of that contested concept throughout the twentieth century. Beginning his analysis in the 1920s, Lebovic shows how conservative politicians, lawyers, and publishers began to define press freedom as freedom from state censorship, wrapped it in the first amendment, and fought New Deal attempts at regulation. Meanwhile, liberal politicians and journalists feared corporate control of the press as a threat to the democratic need for information, and advocated a freer and more trustworthy press. Not interested solely in the debates over press freedom, Lebovic also focuses on, what he calls, “the everyday politics of information.” He reveals how state classification practices and the political economy of the news fundamentally

It seems safe to assume that media coverage changes the behavior of politicians and voters.  And it seems safe to assume this happens in cases of humanitarian crisis. But it’s really hard to go beyond these platitudes to determine exactly how this feedback loop works.  John Nathaniel Clarke’s new book, British Media and the Rwandan Genocide (Routledge, 2018), uses Rwanda as a test case to tease out the relationship between media coverage and policy.  To do so, he uses carefully structured, labor intensive and analytically rich process to determine exactly what the media was reporting and writing about the genocide.  By examining the media coverage so systematically, he is also able to detect changes over time in the nature of the reporting.  He then examines the way in which members of parliament respond to the reports, analysis and op-eds in a variety of British newspapers. Clarke knows his way around an excel spreadsheet, and his analysis is statistically sophisticated and his conclusions carefu

This episode is a collection of segments from papers given at Humility and Conviction in Public Life’s workshop on Political Polarization and Epistemic Arrogance. On this episode you will hear short selections from talks given by Jennifer Saul, Lani Watson, Michael Lynch, Alessandra Tanesini, Elizabeth Krumrei Mancuso, Steven Sloman, and Heather Battaly. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based voca

As a historian I find myself constantly asking the question “Is that really new, or is it rather something that looks new but isn’t?” If you read the headlines, particularly those concerning the on going “Digital Revolution,” you would certainly get the impression that a Brave New World is emerging, one nothing like anything that we’ve seen before. And, in a way, this is true: we—meaning humans—have never lived in an environment with smartphones, social media, and the firehose of “information” that is the Internet. We’re always on and always connected in a way we have never been before. But, as Andrew Keen points out in his smart new book How To Fix The Future (Atlantic Monthly Press, 2018), there is also a sense in which we have been here before, namely, in the Industrial Revolution of the late 18th and 19th century. Then, too, technology and new forms of organization upended the way almost everyone in the industrializing world lived. (For mor

In Bad Rabbi And Other Strange But True Stories from the Yiddish Press (Stanford University Press, 2017), Eddy Portnoy, Academic Advisor and Exhibitions Curator at the YIVO Institute for Yiddish Research, delves into the archives of the Yiddish press to reveal the passionate and tumultuous world of Yiddish cultures in New York and Warsaw in the late nineteenth and early twentieth centuries. Portnoy describes this world as Yiddishland, a nation in which all the high and low expressions of culture not only occurred but were carefully and colorfully relayed by Yiddish journalists, including the young Isaac Bashevis Singer and his older brother, Israel Joshua Singer. A treasure for both researchers and general readership, Bad Rabbi brings to life the passionate, chaotic, and sometimes violent communal life of the Yiddish-speaking urban world that flourished prior to World War II on both sides of the Atlantic, and that was documented by some of Yiddish culture’s keenest eyes and finest writers. David Gottli

During the late nineteenth and early twentieth centuries, Native American students from across the United States attended federally-managed boarding schools where they were taught English, math, and a variety of vocational skills, all for the purpose of forcing their assimilation into white, American society. While enrolled at these schools, students also showcased their writing, editing, and printing skills by publishing school newspapers. In Recovering Native American Writings in the Boarding School Press (University of Nebraska Press, 2017), Assistant Professor of English Jacqueline Emery provides the first comprehensive collection of Native American writings published in boarding school newspapers, and demonstrates the ways in which students used these periodicals to both challenge and reflect assimilationist practices at the schools. The collection includes student-authored letters, editorials, fiction, and folklore, and examines the writings of Gertrude Bonin, Charles Eastman, and Luther Standing Bear,

In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the

In her new book, Politics, Media and Campaign Language: Australia’s Identity Anxiety (Anthem Press, 2017), Stephanie Brookes, a Lecturer in Journalism at Monash University, explores the power of election campaign language to offer a window into the Australian national mood and national identity. Using a variety of political and media sources, including speeches, interviews, press conferences, and debates, Brookes investigates how campaign communication can help us understand Australia’s identity security: what kind of country Australia is and ought to be.Learn more about your ad choices. Visit megaphone.fm/adchoices

Marvin Scott’s new book, As I Saw It: A Reporter’s Intrepid Journey (Beaufort Books, 2017) tells 26 stories of memorable people and events that the veteran TV journalist gathered during a career spanning more than 50 years. Scott estimates that he’s told more than 15,000 stories and interviewed 30,000 people for print, radio and television. He describes himself as a journalist who has “tried to stick to old-fashioned reporting, just the facts, without adding my personal views.” He also writes that “at the heart of every story, big and small, is a person. It is people who make the news.” The winner of 11 Emmy Awards, Scott is currently the senior correspondent at New York’s WPIX-TV. He has written for the New York Herald Tribune as well as Parade Magazine and has worked as a radio reporter for the Mutual Broadcasting System and at such television outfits as CNN, WNEW, and WABC. In this New Books Network interview, Marvin Scott recounts some of the stories he cove

In his new book, Jewish Anzacs: Jews in the Australian Military (New South Press, 2017), author, journalist and historian Mark Dapin explores the little-known story of the thousands of Jews that have fought in Australia’s military conflicts. Through archival research, military records, private letters, and interviews, Dapin tells the story of the Jewish servicemen and women that have fought—and died—for Australia in all of the nation’s wars.Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Unchosen: The Lives of Israel’s New Others (University of Chicago/Pluto Press, 2017), Mya Guarnieri-Jaradat offers her readers an intimate, often devastatingly gloomy portrait of the lives of Southeast Asian migrant workers and African asylum seekers in Israel. She depicts an image of a reality of poverty, harassment, and abuse that often goes largely unseen. Based on a decade’s worth of experience in the field, The Unchosen sheds light on Israel’s often brutal treatment of these marginalized and frequently silenced peoples, providing them with a space where their voices can be heard. Mya Guarnieri Jaradat is a journalist and writer who spent nearly a decade covering Israel and the occupied Palestinian Territories. Her work has been published in a number of literary and media outlets, including the Nation, Al Jazeera English, Foreign Policy, The Guardian, Narrative, Kenyon Review, and Boston Review. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of O

In the wake of the Arab Spring and the ensuing Syrian Civil War, the stories of the millions displaced by the conflict as well as the millions Syria has lost since 2011 remain largely untold. Wendy Pearlman‘s We Crossed a Bridge and It Trembled (Custom House, 2017) attempts to fill that void. Almost entirely comprised of interviews with Syrian refugees, conducted in Arabic then painstakingly translated and organized to tell the story of the Syrian Civil War. Pearlman covers the period before the Civil War, the revolution itself and the tragic aftermath. Heartbreaking, inspiring, and informative all at once, We Crossed a Bridge and It Trembled is hopefully the first of many such compilations to tell the multifaceted Syrian story. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing

Two professors from Mount Allison University in New Brunswick, Canada have published a book about how American popular culture reinforces militarism in the United States. In Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror (Lexington Books, 2010) Geoff Martin and Erin Steuter argue that popular songs, Hollywood movies, professional sports, TV news and even children’s toys help generate public support for the use of military force to solve political problems such as international terrorism. At the same time, they also argue that other elements of popular culture such as The Daily Show, the Colbert Report and The Simpsons, for example, actively resist militarism with pointed political comedy and satire. In this New Books Network interview, Steuter and Martin say their book was inspired in part by the ideas of the Reverend Martin Luther King Jr. who preached against the War in Vietnam. “We can no longer afford to worship the god of hate or bow before the altar of retal

Since its invention, the Internet has become a fundamental part of our lives. Since the invention of social media, communicative technologies have changed our lives and influenced journalism and politics in ways that were unimaginable just ten years ago. In her book, Micro-blogging Memories: Weibo and Collective Remembering in Contemporary China (Palgrave Macmillan, 2016), Eileen Le Han explores how the social media site Weibo has influenced Chinese culture and politics. By analysing the relationship between three key tensions: control-resistance, past-present, and global-local, Le Han provides a unique and in-depth account on how social media is used in an increasingly globalising China. By focusing on specific events and how they were reported on, and more significantly, how they are remembered, Le Han explores the contentious topics of state-sponsored censorship, increasing nationalism and the collectivisation of memory. The first five years of Weibo were a turning point in Chinese society, a time in which

Mitchell Stephens‘s new book, The Voice of America: Lowell Thomas and the Invention of 20th Century Journalism (St. Martins Press, 2017), could be described, in part, as an entertaining book of stories about a legendary American storyteller. Stephens, professor of journalism at New York University, traces Lowell Thomas’s long career from his early days in the rough and tumble world of Chicago newspapers to his later fame as one of America’s earliest and longest-running radio newscasters and its first TV news host. Stephens tells how Thomas documented the First World War, weaving together photos, films and his own remarkable gift for oratory in multimedia presentations that he delivered live to two million people in theaters all over the world. It was Lowell Thomas who first reported the war exploits of Lawrence of Arabia, making both T.E. Lawrence and Thomas himself household names. As a journalism historian and author of the previous book, A History of News, Mitchell Stephens argues that Lo

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Project (McFarland, 2016) defined both his varied career choices and his greatest achievements. Alsbeg’s radicalism was a constant of his life from an early age, and led him to abandon his initial employment as a lawyer for more fulfilling work as a journalist and author. After several years in revolution-plagued eastern Europe as a correspondent during and after the First World War, Alsberg returned to the United States to become a theater producer. Despite the success of his English-language translation of the play The Dybbuk, by the time the Great Depression hit in the early 1930s Alsberg was facing the same challenges as millions of other Americans in finding work. Not only did the New Deals Federal Writers’ Project provide him with employment