New Books In Journalism

Rough Draft of History: A Century of US Social Movements in the News (Princeton UP, 2022) offers a new view of U.S. social movement history across the twentieth century by examining how movement organizations were covered in major national newspapers. The book analyzes U.S. social movements--ranging from temperance to women's suffrage to the Tea Party and Occupy Wall Street--in a broad comparative fashion. Drawing on the full set of digitized newspapers from the twentieth-century (a task that as little as twenty years ago was considered impossible for researchers), the book offers both an institutional history of news--why the media covered what they covered, and to what effect--and also shows the influence of news coverage on a range of social movements, from the well-known to the obscure. Media coverage is a crucial component of movement visibility; news can draw the general public into battles over new issues but also shapes how movements are perceived. The authors show how a movement's structure--its orga

Long before the current preoccupation with “fake news,” American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant. We see this play in pink slime local news sites and in the proliferation of truthers claiming to do their own research because of a deep distrust in the mainstream media. In Not Exactly Lying: Fake News and Fake Journalism in American History (Columbia UP, 2022) Tucher argues that the creation of outward forms of factuality unleashed new opportunities for falsehood: News doesn’t have to be true as long as it looks true. Propaganda, disinformation, and advocacy—whether in print, on the radio, on television, or online—could be crafted to resemble the real thing. Dressed up in legitimate journalistic conventions, this “fake journalism” became inextricably bound

Hello media fans - The ABC is Australia's public broadcaster, for TV, digital and radio. Think BBC and CBC and NPR.  Who Needs the ABC?: How Digital Disruption and Political Dysfunction Threaten the Australian Broadcasting Corporation's Existence (Scribe, 2022) by Matthew Ricketson and Patrick Mullins (Scribe 2022), charts how, in its 90th year, the best-trusted news organisation in Australia arrived at its current plight: doing the most it ever has, with less than it needs, under a barrage of constant criticism. This book examines the profound changes that have swept through the Australian media, technology, and political landscapes in the past decade, and explores the tense relationship between the ABC and governments of both stripes over the last 40 years. It dispels any complacency about the ABC’s future by charting the very real threat now posed by the Liberal– National Party coalition, and the damage that it has done to the ABC while in office. Who Needs the ABC? identifies the vital role that the ABC p

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is

Dr. Christopher Gilbert, Assistant Professor of English at Assumption College, has a new book that examines the understanding of American national character and culture through the works of caricature and comic representations. Gilbert specifically focuses on this kind of work that is produced during moments of crisis, particularly during wartime. Wartime often prompts self-understanding for a nation, since there is a demand that the reason for war is made clear, and the role of the nation is seen in this context. Gilbert notes that in the early days of the republic, Benjamin Franklin turned to caricature to help define or start to clarify an American national character, particularly in distinction from British colonial power. And this concept of national character is different than either patriotism or nationalism, since it reflects how citizens, individually and as a whole, understand themselves as a nation, and as separate from other nations. Unique histories, characteristics, and “belonging” all contribut

Does the idea of a world in which facts mean nothing cause anxiety? Fear? Maybe even paranoia? Disinformation: The Nature of Facts and Lies in the Post-Truth Era (Rowman and Littlefield, 2022) cannot cure all the ills of a post-truth world, but by demonstrating how the emergence of digital technology into everyday life has knitted together a number of seemingly loosely related forces–historical, psychological, economic, and culture–to create the post-truth culture, Disinformation will help you better understand how we got to where we now are, see how we can move beyond a culture in which facts are too easily dismissed, and develop a few highly practical skills for separating truth from lies. Disinformation explains: How human psychology—the very way our brains work—can leave us vulnerable to disinformation. How the early visions of what a global computer network would and should be unintentionally laid the groundwork for the current post-truth culture. The ways in which truth is twisted and misrepresented

Late one night, journalist Sally Hayden received an urgent message on Facebook: “Sally, we need your help.” It was from a group of Eritrean refugees who had been held in a Libyan detention center for months. Now, Tripoli was crumbling in a scrimmage between warring factions, and the refugees remained stuck, defenseless, with only one hope: contacting her. With that begins Hayden’s staggering account of the migrant crisis across North Africa: from brutal, vindictive Libyan guards to unexpected acts of kindness; the frustration of visiting aid workers; fake marriages between detainees; the strain on real marriages; and the phenomenon of some refugees becoming oppressors after entering into Faustian bargains with their captors. With unprecedented contact with dozens of people currently inside Libyan detention centers, My Fourth Time, We Drowned (Melville House Press, 2022) will, for the first time, detail these stories. In the future, people will regard this pivotal period with fascination and horror. The failur

Eve Ng’s new book Cancel Culture: A Critical Analysis (Palgrave Macmillan, 2022), examines the phenomenon of "cancel culture" from a critical media studies perspective, as both cancel practices (what people and institutional actors do) and cancel discourses (commentary about cancelling). Ng traces multiple lines of origins for cancel practices and discourses, in the domains of Black communicative practices (e.g. cancelling relationship to "dissing"), celebrity and fan cultures, consumer culture (especially around consumer nationalist cancellings), and national politics (U.S. conservative criticisms of cancelling, and nationalist cancelling events in mainland China). Her analysis moves beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, and underscores the different configurations of power associated with “cancel culture” in specific cultural and political contexts. Louisa Hann recently attained a PhD in English and American studies from the University of Manch

Journalist Mónica Guzmán is the loving liberal daughter of Mexican immigrants who voted—twice—for Donald Trump. When the country could no longer see straight across the political divide, Mónica set out to find what was blinding us and discovered the most eye-opening tool we’re not using: our own built-in curiosity. Partisanship is up, trust is down, and our social media feeds make us sure we’re right and everyone else is ignorant (or worse). But avoiding one another is hurting our relationships and our society. In I Never Thought of It That Way: How to Have Fearlessly Curious Conversations in Dangerously Divided Times (BenBella Books, 2022), Mónica takes us to the real front lines of a crisis that threatens to grind America to a halt—broken conversations among confounded people. Drawing from cross-partisan conversations she’s had, organized, or witnessed everywhere from the echo chambers on social media to the wheat fields in Oregon to raw, unfiltered fights with her own family on election night, Mónica shows

In The Future of the Presidency, Journalism, and Democracy: After Trump (Routledge, 2022), Dr. Robert E. Gutsche Jr. examines the effects of Donald Trump’s presidency on journalistic practices, rhetoric, and discourses. Rooted in critical theory and cultural studies, it asks what life may be like without Trump, not only for journalism but also for American society more broadly. The book places perspectives and tensions around the Trump presidency in one spot, focusing on the underlying ideological forces in tensions around media trust, Trumpism, and the role of journalism in it all. It explores how journalists dealt with racist rhetoric from the White House, relationships between the Office of the President and social media companies, citizens, and journalists themselves, while questioning whether journalism has learned the right lessons for the future. More importantly, chapters on liberal media "bias," the First 100 Days of the Biden Presidency, gender, and race, and how journalists should adopt measures to

When Communication Became a Discipline (Lexington, 2021) argues that speech and journalism professors embraced the concept of communication between 1964 and 1982. They changed the names of their scholarly societies and journals and revised their academic curricula. Five “strands” of scholarship became and remain central to this transformation. Communication is not a traditional academic discipline, but its scholars convinced their colleagues to understand and embrace it. When Communication Became a Discipline presents an argument with historical evidence that illustrates scholarly creativity at its finest. William F. Eadie is professor emeritus of journalism and media studies and director of the School of Communication at San Diego State University.  William F. Eadie was former director of the School of Communication at San Diego State University, where he was responsible for leadership of a large program that encompassed all aspects of communication, media and journalism.  Tom Discenna is Professor of Commun

Internet-enabled mobilization begins long before there is a call for protest. In the book Internet Use and Protest in Malaysia and other Authoritarian Regimes (Palgrave Macmillan, 2021), Kris Ruijgrok examines the case of Bersih – an anti-corruption movement in Malaysia – to track the sequence of events that lead citizens to take part in protest action. Contrary to the impression that social media platforms like Twitter spontaneously spark protests around the world, the book takes a longer and wider view of how the internet challenges information scarcity in authoritarian regimes, which, consequently, creates conditions for citizens to carefully consider their sympathies for a protest movement and defy their fears about state control. In this podcast, Kris discusses the reasons why the Malaysian government is unable to successfully control the digital public sphere in the same way it controlled the information environment of traditional media. He makes a case for going beyond what he considers to be technolog

In How Machines Came to Speak: Media Technologies and Freedom of Speech (Duke University Press, 2022), Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are ind

Jacob Mchangama, founder and director of the think tank Justitia, has written a one-volume history of freedom of thought, which ranges from the lone Demosthenes of 4th-century BCE Athens to the recent controversies regarding Donald Trump. In Free Speech: A History from Socrates to Social Media (Basic Books, 2022), Mchangama argues that the history of freedom of thought has recurrent themes, such as a free speech entropy: the perception of rulers or governments that if speech is not restricted then social or political decline or disorder is inevitable. Mchangama also notes how restrictions usually have the unintended effect of emboldening the speakers and making the forbidden speech even more attractive to potential listeners. This history also reveals advocates of free speech less familiar to Western readers, such as the ninth-century Persian scholar Ibn al-Rawandi, a theologian and later skeptic whose life illustrates the debates possible in medieval Islam. Mchangama reviews the modern debates regarding f

In this podcast Owen Bennett-Jones discusses the future of rational decision making with Professor Olivier Sibony who after 25 years with McKinsey & Company in France, is now at HEC Paris and the Saïd Business School in Oxford University. In 2021 he co-wrote the book Noise: A Flaw in Human Judgment (Little, Brown Spark, 2021) with Cass R. Sunstein and Daniel Kahneman. For those trying to resist the illogicalities of the post truth world, the idea of rational decision-making is perhaps more important than ever. Yet the challenge to rationality comes not only from social media driven myths becoming accepted truths, but also bias and randomness in decision-making. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoice

As the United States moves on from the Trump era — and perhaps begins to contemplate what a second one might look like — conversations about journalism's relationship to Trump and his ideas are cropping up all over the place. Books like News After Trump address these questions through a scholarly lens, but Covering Politics in the Age of Trump (LSU Press, 2021) looks at coverage of Trump from the perspective of journalists who cover national politics.  Edited by Jerry Ceppos, the book takes a wide-ranging view of the relationship between the forty-fifth president and the Fourth Estate. In concise, illuminating, and often personal essays, two dozen top journalists address topics such as growing concerns about political bias and journalistic objectivity; increasing consternation about the media’s use of anonymous sources; the practices journalists employ to gain access to wary administration officials; and reporters’ efforts to improve journalism in an era of round-the-clock cable news. Contributors to the book

Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (University of Illinois Press, 2020) reveals the previously hidden impact of Ebony magazine as a major producer and disseminator of popular black history during the second half of the twentieth century. Far from dismissing Ebony as a consumer magazine with limited political or educational importance, E. James West highlights the value editors, readers, and advertisers placed upon Ebony's role as a "history book." Benefitting from unprecedented access to new archives at Chicago State and Emory University, West also offers the first substantive biographical account of the writing and philosophy of Lerone Bennett Jr., who used his position at Ebony to emerge as one of the twentieth century's most influential popular black historians. Focusing on Lerone Bennett's role within Johnson Publishing, and assessing Ebony's broader historical coverage, this book uses the magazine as a window into the transition of black history from the margi

In A Strategic Nature: Public Relations and the Politics of American Environmentalism (Oxford UP, 2021), Melissa Aronczyk and Maria I. Espinoza examine public relations as a social and political force that shapes both our understanding of the environmental crises we now face and our responses to them. Drawing on in-depth interviews, ethnography, and archival research, Aronczyk and Espinoza document the evolution of PR techniques to control public perception of the environment since the beginning of the twentieth century. More than spin or misinformation, PR affects how institutions and individuals conceptualize environmental problems -- from conservation to coal mining to carbon credits. Revealing the linkages of professional strategists, information politics, and environmental standards, A Strategic Nature shows how public relations restricts alternative paths to a sustainable climate future. Melissa Aronczyk is an associate professor at Rutgers University in the School of Communication & Information. She is

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography

White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow: White Supremacy and the Black Struggle for a New America (U Illinois Press, 2021) centers the press as a crucial political actor shaping the rise of the Jim Crow South.  In this interview with co-editor Kathy Roberts Forde, we explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. We also examine the Black press's parallel fight for a multiracial democracy of equality, justice, and opportunity for all — a losing battle with consequences that continue to impact newsrooms today.  Learn more about the book and find resources