New Books In Gender Studies

In mid-twentieth-century America, women faced a paradox. Thanks to their efforts, World War II production had been robust, and in the peace that followed, more women worked outside the home than ever before, even dominating some professions. Yet the culture, from politicians to corporations to television shows, portrayed the ideal woman as a housewife. Many women happily assumed that role, but a small segment bucked the tide-women who wanted to use their talents differently, in jobs that had always been reserved for men. In They Called Us Girls: Stories of Female Ambition from Suffrage to Mad Men (Cynren Press, 2022), author Kathleen Stone meets seven of these unconventional women. In insightful, personalized portraits that span a half-century, Kathleen weaves stories of female ambition, uncovering the families, teachers, mentors, and historical events that led to unexpected paths. What inspired these women, and what can they teach women and girls today? Learn more about your ad choices. Visit megaphone.fm/ad

In Parenting Empires: Class, Whiteness, and the Moral Economy of Privilege in Latin America (Duke University Press, 2020), Ana Y. Ramos-Zayas focuses on the parenting practices of Latin American urban elites to analyze how everyday experiences of whiteness, privilege, and inequality reinforce national and hemispheric idioms of anti-corruption and austerity. Ramos-Zayas shows that for upper-class residents in the affluent neighborhoods of Ipanema (Rio de Janeiro) and El Condado (San Juan), parenting is particularly effective in providing moral grounding for neoliberal projects that disadvantage the overwhelmingly poor and racialized people who care for and teach their children. Wealthy parents in Ipanema and El Condado cultivate a liberal cosmopolitanism by living in multicultural city neighborhoods rather than gated suburban communities. Yet as Ramos-Zayas reveals, their parenting strategies, which stress spirituality, empathy, and equality, allow them to preserve and reproduce their white privilege. Defining

Bitch: On the Female of the Species (Basic Books, 2022) is a fierce, funny, and revolutionary look at the queens of the animal kingdom. Studying zoology made Lucy Cooke feel like a sad freak. Not because she loved spiders or would root around in animal feces: all her friends shared the same curious kinks. The problem was her sex. Being female meant she was, by nature, a loser. Since Charles Darwin, evolutionary biologists have been convinced that the males of the animal kingdom are the interesting ones—dominating and promiscuous, while females are dull, passive, and devoted. In Bitch, Cooke tells a new story. Whether investigating same-sex female albatross couples that raise chicks, murderous mother meerkats, or the titanic battle of the sexes waged by ducks, Cooke shows us a new evolutionary biology, one where females can be as dynamic as any male. This isn‘t your grandfather’s evolutionary biology. It’s more inclusive, truer to life, and, simply, more fun. Sine Yaganoglu trained as a neuroscientist and bioe

What does it mean for trans people to show up for one another, to care deeply for one another? How have failures of care shaped trans lives? What care practices have trans subjects and communities cultivated in the wake of widespread transphobia and systemic forms of trans exclusion? Trans Care (University of Minnesota Press, 2020) is a critical intervention in how care labor and care ethics have been thought, arguing that dominant modes of conceiving and critiquing the politics and distribution of care entrench normative and cis-centric familial structures and gendered arrangements. A serious consideration of trans survival and flourishing requires a radical rethinking of how care operates. Trans Care is the recipient of the Publishing Triangle Award for Trans and Gender-Variant Literature. Hil Malatino is Assistant Professor in the Department of Women’s, Gender, and Sexuality Studies and a research associate in the Rock Ethics Institute. Dr. Malatino was previously a postdoctoral fellow in the Department of

Gender and sexuality in modern Iran are frequently examined through the prisms of nationalist symbols and religious discourse. In Revolutionary Bodies: Technologies of Gender, Sex, and Self in Contemporary Iran (Bloomsbury, 2020), Kristin Soraya Batmanghelichi, Associate Professor at the University of Oslo, Norway, takes a different approach, by interrogating how normative ideas of women's bodies in state, religious, and public health discourses have resulted in the female body being deemed as immodest and taboo. Through a diverse blend of sources, including a popular women's journal, a red-light district, cases studies of temporary marriages, iconic public statues, and an HIV-AIDS advocacy organization in Tehran, Batmanghelichi argues that conceptions of gender and sexuality have been mediated in public discourse and experienced and modified by women themselves over the past thirty years of the Islamic Republic. In our conversation we discuss the regulation of gender & sexuality through bodily technologies,

Early American literature scholar Elisabeth Ceppi’s thought-provoking new book, Invisible Masters: Gender, Race, and the Economy of Service in Early New England (Dartmouth College Press, 2018), rewrites the familiar narrative of the relation between Puritan religious culture and New England’s economic culture as a history of the primary discourse that connected them: service. The understanding early Puritans had of themselves as God’s servants and earthly masters was shaped by their immersion in an Atlantic culture of service and the worldly pressures and opportunities generated by New England’s particular place in it. Concepts of spiritual service and mastery determined Puritan views of the men, women, and children who were servants and slaves in that world. So, too, did these concepts shape the experience of family, labor, law, and economy for those men, women, and children—the very bedrock of their lives. This strikingly original look at Puritan culture will appeal to a wide range of Americanists and histo

Scholars Heather Hlavka (Marquette University) and Sameena Mulla (Emory University) have written a new book that examines and interrogates the place and space of the courtroom, the use of expertise, especially scientific expertise, in the adjudicative process, and how this all intersects with race and gender in cases of sexual assault. Bodies in Evidence: Race, Gender, and Science in Sexual Assault Adjudication (NYU Press, 2021) is the result of a long-term ethnographic study of sexual assault cases in the city of Milwaukee, and how those cases, as they come through the legal system, re-animate cultural narratives and re-inscribe the authority associated with law courts and the legal system itself. A key focus of the research was in examining the ways in which medicolegal and forensic evidence was used in the trial process, and how the reliance on these scientific resources and those who narrate and explain these dimensions of evidence and information are often set in contrast with the experiences of the vict

Knowing Women: Same-sex Intimacy, Gender, and Identity in Postcolonial Ghana (Cambridge UP, 2021) is a study of same-sex desire in West Africa, which explores the lives and friendships of working-class women in southern Ghana who are intimately involved with each other. Based on in-depth research of the life histories of women in the region, Serena O. Dankwa highlights the vibrancy of everyday same-sex intimacies that have not been captured in a globally pervasive language of sexual identity. Paying close attention to the women's practices of self-reference, Dankwa refers to them as 'knowing women' in a way that both distinguishes them from, and relates them to categories such as lesbian or supi, a Ghanaian term for female friend. In doing so, this study is not only a significant contribution to the field of global queer studies in which both women and Africa have been underrepresented, but a starting point to further theorize the relation between gender, kinship, and sexuality that is key to queer, feminist,

During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War: Women and National Identity in US Silent Film (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies. Jane Scimeca is Professor of History

Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlappi

In the fall of 2020, Poland’s Constitutional Tribunal decreed that the country’s near-total ban on abortion was too liberal; henceforth, pregnancies could be terminated only in cases of rape, incest, or imminent threat to the mother’s life. The court’s decision triggered a nationwide Women’s Strike, whose social mobilization galvanized reproductive rights advocacy across Europe. In the wake of the Polish mass protests, and in the context of the COVID-19 pandemic, now is a crucial moment to re-visit anthropologist Joanna Mishtal’s ground-breaking book The Politics of Morality: The Church, the State, and Reproductive Rights in Postsocialist Poland (Ohio University Press, 2015). Mishtal recast the decades since communism’s collapse as a time of joint Church-State war on reproductive rights, as well as feminism, which was painted as either a communist legacy or a foreign import. The Politics of Morality examines the contradiction between an emerging democracy on the one hand, and a declining tolerance for women’s

The Ambivalence of Gay Liberation: Male Homosexual Politics in 1970s West Germany (Oxford UP, 2021) explores ways of thinking, feeling, and talking about being gay in the 1970s, an influential decade sandwiched between the partial decriminalisation of male homosexuality in 1969, and the arrival of the HIV/AIDS crisis in the early 1980s. Moving beyond divided Cold War Berlin, it also focuses on lesser-known cities, such as Aachen, Cologne, Frankfurt, Münster, and Stuttgart, to name just a few of the 53 localities that were home to a gay group by the end of the 1970s. These groups were important, and this book tells their story. In 1970s West Germany gay liberation did not take place only in activist meetings, universities, and on street demonstrations, but also on television, in magazine editorial offices, ordinary homes, bedrooms, and beyond. In considering all these spaces and individuals, this book provides a more complex account than previous histories, which have tended to focus only on a social movement

In Half of Faith: American Muslim Marriage and Divorce in the Twenty-First Century, readers find a wide range of texts on Muslim Americans’ experiences with questions of marriage and divorce in an effort to do what is deemed Islamically acceptable. This exciting reader, which brings together previously published as well as new content, includes the broad themes of wedding, marriage, and divorce in the Muslim American experience. More specifically, the reader aims to explore the diversity in Islamic legal and theoretical thought, marriage and divorce practices, marriage contracts, wedding customs, and related issues. In today’s very vibrant and engaging conversation, I speak with Kecia Ali, the editor of the reader, in addition to several contributors, who are Zahra Ayubi, Aminah McCloud, and Asifa Quraishi-Landes. Each scholar speaks on her contribution to the volume—Ayubi on divorce, Quraishi-Landes on marriage contracts and Islamic law, and McCloud on African American Muslim women as they transition to Isla

What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too! Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Can subalterns speak? Now an iconic question from a prominent postcolonial studies scholar Gayatri Spivak, the question interrogates the in-built assumption about the locatable agency in an individual. Postcolonial studies have grappled with the question of legibility and limitations of archives. In her pathbreaking work, An Empire of Touch: Women's Political Labor and the Fabrication of East Bengal (Columbia UP, 2019), Poulomi Saha disrupts the binaries of nation/individual and agency/silence by arguing that women’s labor is a political one that articulate their relational aspirations through the tactile. In this contemporary moment with neoliberalism’s co-optation of ethnonationalism and an increasing disciplinary turn towards ethnicity as culture, Saha emphasizes the urgency of postcolonialism to prioritize political project in literary critiques and understand the connections between global capital and intimate, material life of women’s labor. The book is divided into three parts: “Reading the Body Politi

Melissa M. Wilcox received her doctorate in Religious Studies from U.C. Santa Barbara in 2000. Her transdisciplinary research program focuses on gender studies and queer studies in religion, with particular emphasis on the U.S. and Europe in the context of transnational queer and religious politics. Her books include Coming Out in Christianity: Religion, Identity, and Community (Indiana University Press, 2003); Sexuality and the World’s Religions (co-edited with David W. Machacek; ABC-CLIO, 2003); Queer Women and Religious Individualism (Indiana University Press, 2009); and Religion in Today’s World: Global Issues, Sociological Perspectives (Routledge, 2013). Her 2009 book received the annual book award from the Sociology of Religion Section of the American Sociological Association. Her newest book, Queer Nuns: Religion, Activism, and Serious Parody, is forthcoming in 2018 from the Sexual Cultures series at NYU Press, and she is currently working on two textbooks focused on sexuality and queer studies in reli

What are the proper things for a philosopher to worry about? And who should be able to worry about them? These two questions, raised in the context of the disruptions and horrors of World War II, animate Metaphysical Animals: How Four Women Brought Philosophy Back to Life (Doubleday, 2022). The book interweaves the biographies and philosophies of Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch, who met as students at Oxford as World War II left the old men, refugees, women, and conscientious objectors behind to bloom intellectually while most of the men were away. Each argued, in her own way, for a view of human life as necessarily concerned with metaphysical issues and moral approaches that then-ascendant logical positivism and ordinary language philosophy tried to dismiss as mere nonsense. Authors Clare Mac Cumhaill (assistant professor of philosophy at Durham University) and Rachael Wiseman (senior lecturer in philosophy at University of Liverpool) bring Anscombe, Foot, Midgley, and Murdo

In the past decade, adventurous travelers have flocked to the island nation of Iceland to enjoy its many wonders: stunning nature and wildlife, innovative and unique cuisine, a compelling history that includes Vikings, and the rich literary tradition rooted in the Icelandic Sagas, which is still vibrantly alive today in this well read nation. Once in Iceland, travelers may also note that Iceland has one of the happiest populations with one of the highest rates of acceptance for LGBTQIA individuals, and with no military, Iceland is also one of the more peaceful nations on the planet. Iceland is also a great place to be a woman in 2022. Just how and why that is, and whether Iceland’s proximity to gender parity can serve as a model for other nations, is explored in a marvelous new book by Iceland’s current first lady, Canadian born Eliza Reid. “Secrets of the Sprakkar Iceland’s Extraordinary Women and How They Are Changing the World” explores Iceland’s unique history, people, politics, and of course nature, and

Increasingly fraught debates about sex, consent, feminism, justice, law, and gender relations have taken centre stage in academic, journalistic and social media circles in recent years. This has resulted in myriad new theories, debates and mediated movements including #MeToo and #TimesUp. In Sex, Consent, and Justice: A New Feminist Framework (Edinburgh UP), Tina Sikka explores many of the contradictions and tensions that make up these debates and movements. She looks at those that draw together contemporary understandings of justice, violence, consent, pleasure and desire. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.co

For every woman, from the young to those in midlife and beyond, who has ever been told, You can't and thought, Oh, I definitely will!--this book is for you. Women are expected to be many things. They should be young enough, but not too young; old enough, but not too old; creative, but not crazy; passionate, but not angry. They should be fertile and feminine and self-reliant, not barren or butch or solitary. Women, in other words, are caught between social expectations and a much more complicated reality. Women who don't fit in, whether during life transitions or because of changes in their body, mind, or gender identity, are carving out new ways of being in and remaking the world. But this is nothing new: they have been doing so for thousands of years, often at the margins of the same religious traditions and cultures that created these limited ways of being for women in the first place. In The Defiant Middle: How Women Claim Life's In-Betweens to Remake the World (Broadleaf Books, 2021), Kaya Oakes draws on