The Essay

In 1945, when World War II finally ended and while Europe's artistic centres smouldered, in New York City an artistic renaissance, in music, painting, theatre, and literature, burst forth out of the city’s bohemia.Most of this work was generated in a single neighbourhood of Manhattan: Greenwich Village. World War II in America was a time of national unity, a singleness of purpose where non-conformity had no place in military or civilian life. Yet somehow as soon as the war ended, a full-blown non-conformist bohemia exploded in New York. Membership of this Bohemia, for men at least, was signified by wearing an undergarment - the T-shirt - in public. Today that means nothing. In 1945, in a society that was still mobilised with military single-mindedness, it was shocking.In this series for The Essay, Michael Goldfarb explores the how and why of this extraordinary eruption through the stories of some of T-shirt Bohemia's key figures: Marlon Brando, Jackson Pollock, James Baldwin, Charlie Parker and Jack Kerouac.I

In 1945, when World War II finally ended and while Europe's artistic centres smouldered, in New York City an artistic renaissance, in music, painting, theatre, and literature, burst forth out of the city’s bohemia.Most of this work was generated in a single neighbourhood of Manhattan: Greenwich Village. World War II in America was a time of national unity, a singleness of purpose where non-conformity had no place in military or civilian life. Yet somehow as soon as the war ended, a full-blown non-conformist bohemia exploded in New York. Membership of this Bohemia, for men at least, was signified by wearing an undergarment - the T-shirt - in public. Today that means nothing. In 1945, in a society that was still mobilised with military single-mindedness, it was shocking.In this series for The Essay, Michael Goldfarb explores the how and why of this extraordinary eruption through the stories of some of T-shirt Bohemia's key figures: Marlon Brando, Jackson Pollock, James Baldwin, Charlie Parker and Jack Kerouac

In 1945, when World War II finally ended and while Europe's artistic centres smouldered, in New York City an artistic renaissance, in music, painting, theatre, and literature, burst forth out of the city’s bohemia.Most of this work was generated in a single neighbourhood of Manhattan: Greenwich Village. World War II in America was a time of national unity, a singleness of purpose where non-conformity had no place in military or civilian life. Yet somehow as soon as the war ended, a full-blown non-conformist bohemia exploded in New York. Membership of this Bohemia, for men at least, was signified by wearing an undergarment - the T-shirt - in public. Today that means nothing. In 1945, in a society that was still mobilised with military single-mindedness, it was shocking.In this series for The Essay, Michael Goldfarb explores the how and why of this extraordinary eruption through the stories of some of T-shirt Bohemia's key figures: Marlon Brando, Jackson Pollock, James Baldwin, Charlie Parker and Jack Kerouac.I

In 1945, when World War II finally ended and while Europe's artistic centres smouldered, in New York City an artistic renaissance, in music, painting, theatre, and literature, burst forth out of the city’s bohemian.Most of this work was generated in a single neighbourhood of Manhattan: Greenwich Village. World War II in America was a time of national unity, a singleness of purpose where non-conformity had no place in military or civilian life. Yet somehow as soon as the war ended, a full-blown non-conformist bohemia exploded in New York. Membership of this Bohemia, for men at least, was signified by wearing an undergarment - the T-shirt - in public. Today that means nothing. In 1945, in a society that was still mobilised with military single-mindedness, it was shocking.In this series for The Essay, Michael Goldfarb explores the how and why of this extraordinary eruption through the stories of some of T-shirt Bohemia's key figures: Marlon Brando, Jackson Pollock, James Baldwin, Charlie Parker and Jack Kerouac.

Joanna Robertson argues that it's the regular, everyday moments and rituals that make up and frame the fabric of our lives. The details of dress or speech that shape and project an identity. Painters capturing an essence in time, like that of Madame Cezanne in Provence, dressed in blue, hair pulled tautly back into a bun, sitting next to a table with a white cup and saucer, spoon standing upwards in the cup. Or the myriad details, from by-passers to snippets of conversations to the design of a chair or cafe interior, which, when well observed, can turn the instant of taking the first sip of a milky coffee in that same cafe to the level of a miracle, where all surroundings coalesce into one, soul-sweetening moment. Written and presented by Joanna Robertson Series Producer: Arlene Gregorius Series Editor: Penny Murphy Sound engineer: Nigel Appleton Production Coordinator: Janet Staples

Joanna Robertson believes it's the everyday moments that shape, frame and colour our lives. That includes observing, or imagining, the lives of others around us. Are portraitists creating a mere image, or capturing the authentic selves of their subjects? The celebrated Belle Epoque painter Giovanni Boldini became a darling of Parisian society with his glamorous portrayals of society women, but a spontaneous portrait of a wealthy couple's gardener in eastern France, possibly painted for Boldini's own eyes only, inside the lid of his paintbox, gloriously reveals the gardener's inner life.And what about the people we meet or see ourselves? Take the new neighbours who moved into a flat opposite. Their daily rituals, from their apparently perfect breakfast to their equally apparently perfect dinner, with all five regulation courses, every night, all seen through the windows. Why is observing them, with the resulting questioning of Joanna's own habits, such a vivid part of her and her daughters' daily life? And th

'It's only the minutiae of life that are important,' wrote the Austro-Hungarian author Joseph Roth, announcing that he was 'going for a walk'. Joanna Robertson feels, and does, the same, and finds that far from small, the minutiae are actually infinite. Just walking from her Paris flat to a nearby bakery, yields so many observations, memories and encounters, that they conjure up the life of the whole street. From the homeless man sleeping, and dying, on the monastery's front steps, to the blazing row (and withering put-downs) of two usually tolerant ladies of Polish and Russian heritage respectively. Not to mention the rivalry between Joanna's dogs and those of a well-known model and designer, who every day claim each others' territory in ways only dogs will....Written and presented by Joanna Robertson Producer: Arlene Gregorius Editor: Penny Murphy Sound engineer: Nigel Appleton Production Coordinator: Janet Staples

The minutiae of the everyday frame, shape and colour our lives. Joanna Robertson lives in Paris, and finds that the views from her fourth-floor flat have a real influence on her daily life. Looking out over the neighbourhood of Montparnasse, her windows let her eye and mind wander over the sites of much recent and not so recent cultural history. Former residents whose residences she can still see, range from Irish playwright Samuel Beckett to Austro-Hungarian writer Joseph Roth. And, following in the footsteps of painter John Constable, Joanna too goes "skying", as he called it: observing the sky and its cloudscapes through the window. What's beyond the glass is both separate from, yet also inextricably part of her life. Written and presented by Joanna Robertson Producer: Arlene Gregorius Editor: Penny Murphy Sound engineer: Nigel Appleton Production Coordinator: Janet Staples

The minutiae of life have always fascinated Joanna Robertson. Moments like opening the curtains or shutters in the morning, putting the key in the lock when returning home, making dinner, or smelling the cooking of the neighbours. The author Virginia Woolf dismissed everyday repetitive rituals as 'moments of non-being', by contrast to epiphanies of experience or understanding that she saw as 'moments of being'. Joanna Robertson argues that on the contrary, the deceptively insignificant everyday is actually what our lives are made of. They shape, frame and colour our waking moments. Other writers, like Proust, or painters like Vermeer or van Hooch, appear to agree, and have captured the essence of the everyday in their art. Written and presented by Joanna Robertson Producer: Arlene Gregorius Editor: Penny Murphy Sound engineer: Nigel Appleton Production Coordinator: Janet Staples

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes.Concluding the series, Paterson Joseph retraces the footsteps of pioneering writer, composer and abolitionist Ignatius Sancho through Westminster to a lost grave beneath the still-pulsing streets.Producer: Ciaran Bermingham

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes.Today, Anita Sethi journeys to the grave of her heroine Anne Brontë, overlooking the sea she so loved, and considers why she was buried high on a hill in Scarborough, away from her better known sisters. Her grave has over the years been neglected and ravaged by the elements, but more recently - like her reputation - restored. Producer: Ciaran Bermingham

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes.Today, Diana Souhami steps into the tomb of Radclyffe Hall in London’s Highgate Cemetery, where The Well of Loneliness author resides with her lover, her lover’s husband and their dog Tulip – an aptly unconventional set-up in death as in life.Producer: Ciaran Bermingham

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes. Today Paul Muldoon recalls numerous pilgrimages to the rugged west coast of Ireland, where the remains of WB Yeats may or may not be buried, as per his poetical final request.Producer: Ciaran Bermingham

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes. Today Lauren Elkin finds Oscar Wilde in Pere Lachaise, Paris - where the outsider in life overshadows in death the greats of French literature who jostle for space in the famous cemetery. Producer: Ciaran Bermingham

From full stops to emojis, a Tudor letter to texting - how has the use of punctuation marks developed over the centuries? Florence Hazrat thinks about the way brackets help us understand the pandemic. The first parentheses appear in a 1399 manuscript by the Italian lawyer Coluccio Salutati, but - as her essay outlines - it took over 500 years for the sign born at the same time as the bracket, the exclamation mark (which printers rather aptly call “bang”) to find its true environment: the internet.Florence Hazrat is a Leverhulme Early Career Fellow, University of Sheffield. She is a 2021 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select ten academics each year to turn their research into radio.Producer: Robyn Read

Xangô (the god of thunder) and Paso Ñañigo’, composed by the Cuban Moises Simons, were two of the numbers performed by Elsie Houston in the clubs of Paris in the 1920s. Also able to sing soprano in Portuguese, English, French, German, Italian, Spanish, and Russian, Elsie's performances in Afro-Brazilian dialects chimed with the fashion for all things African. Adjoa Osei's essay traces Elsie's connections with Surrealist artists and writers, (there are photos of her taken by Man Ray), and looks at how she used her mixed race heritage to navigate her way through society and speak out for African-inspired arts. Adjoa Osei is a researcher based at Trinity College, Cambridge. She was selected as a 2021 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to turn research into radio. You can hear her discussing the career of another singer Rita Montaner in this episode of Free Thinking https://www.bbc.co.uk/programmes/m0010q8b and taking part in this Free Thinking

Africa's first filmmakers boldly revealed how, and why, colonialism lived on after the independences. Sarah Jilani takes a closer look at the works of Ousmane Sembène and Souleymane Cissé. The Malian director's 1982 film Finye (the Bambara word for wind) considers students as the winds of change, whilst Sembène's Mandabi, made in 1968, takes its title from a Wolof word deriving from the French for a postal money order – le mandat postale. Adapting his own novel about the frustrations of bureaucracy, the Senegalese director made the decision to make the film in the Wolof language. Sarah Jilani teaches at City, University of London and was chosen as a 2021 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which makes research into radio. You can hear her discussing another classic of African cinema on Free Thinking in this episode about Touki Bouki https://www.bbc.co.uk/programmes/m0013js4 and Satyajit Ray's Indian Bengali drama Jalsaghar, which depicts

In 1821, Thomas de Quincey's Confessions of an Opium Eater paved the way for drug memoirs, but how do contemporary novelists help us see the global opium trade in a different way? Fariha Shaikh's essay looks at the novel An Insular Possession published in 1986 by Timothy Mo, and at Amitav Ghosh's trilogy which began in 2008 with Sea of Poppies. She also quotes from her researches into The Calcutta Review, Fraser's Magazine for Town and Country and the book Tea and Coffee written by the campaigning vegetarian William Alcott as she make links between tea, sugar, opium, addiction and trade. Dr Fariha Shaikh teaches in the Department of English Literature at the University of Birmingham. She is a 2021 New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to turn research into radio. Producer: Robyn Read

What made him great? Celebrated as a military leader, Alexander took over an empire created by the Persians. Julia Hartley's essay looks at two examples of myth making about Alexander: The Persian Boy, a 1972 historical novel by the English writer Mary Renault and the Shānāmeh or ‘Book of Kings’, an epic written by the medieval Persian poet Abdolghassem Ferdowsi. Julia Hartley lectures at King's College London. She was selected in 2021 as a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which turns research into radio. You can hear her in this Free Thinking discussion Dante's Visions https://www.bbc.co.uk/programmes/m000zm9b and in another episode about Epic Iran, Lost Cities and Proust https://www.bbc.co.uk/programmes/m000xlzh Producer: Torquil MacLeod

Sculptures like mouldy fruit, sea creatures that look like oil, blocks of ice carved from a melting glacier and transported to a gallery, reforesting a disused quarry: Vid Simoniti looks at different examples of environmental art and asks whether they create empathy with nature and inspire behaviour change or do we really need pictures of loft insulation and ground source heat pumps displayed on gallery walls? Vid Simoniti lectures at the University of Liverpool. He hosted a series of podcasts Art Against the World for the Liverpool Biennial 2021. He was selected as a New Generation Thinker in 2021 on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which turns research into radio. You can hear him taking part in this Free Thinking discussion about Who Needs Critics? https://www.bbc.co.uk/programmes/m000w5f3Producer: Luke Mulhall