The Essay

Radio 3 presenter Penny Gore celebrates a composer particularly important to her: the Moravian Leos Janacek, whose music is shot through with the uncertainties of life.

Harland Miller is an artist whose word-play and dexterous brushwork has won him acclaim. He reveals how past decades have informed his work: After art school and a stint at 'Pop World', Harland is whisked off to New York and promised a show organised by the Steinitz brothers. Anxieties about accommodation ensue. Then a night spent at Jerry's café seems to crystallize his 'vision' for the future..Producer Duncan Minshull

Acclaimed artist and writer Harland Miller reveals how an eventful past has fed into his work:2. The late 1970s and Harland ends up in a class at school below the 'worst' group. This group is called 'Peanuts' and with guidance from his teacher Miss Stow he discovers a passion for art and an early talent for painting. There's also a side-career in 'customising' clothes, thanks to Big Kevin.Producer Duncan Minshull

Acclaimed artist and writer Harland Miller reveals how an eventful past has fed into his work: 1. The 1970s and early art influences may have presented themselves after the graffiting of THIN LIZZY on someone's fence. At home there were father's yearnings for the culture of Venice, though the family lived in Naburn, Yorkshire. Which flooded a lot.Producer Duncan Minshull

The poet and playwright describes how he was influenced by the comic novel "Pyramids". "When I opened the first few pages...it is no exaggeration to say my whole world changed," he recalls. As a twelve-year-old Nigerian migrant to London, Ellams found that Pratchett's hilarious fantasy world helped him in his transition to his new homeland. "If I could give myself and belong so completely and entirely to his world, which mirrored Britain, then perhaps I could belong to Britain itself." Producer: Smita Patel.

Tony Blair's former spokesman, on how Gustave Flaubert's novel gave him a lifetime love of French culture. "It is a love that has endured. I like reading French, speaking French, listening to French. Every year of my adult life, I have spent a part of it in France, and the older I get, the more freedom I seem to have to go there, and so the more I exploit that freedom." Producer: Smita Patel.

Zarah Hussain explains how The Arabian Nights inspired her as an artist. On discovering the book as a child, she found "the book was absolutely beautiful...There was a border of pink and blue arabesque flowers and a central image of a King wearing a gold crown and beautiful robes in conversation with a Queen similarly bedecked in robes. The floor and walls were covered in repeating geometric patterns. ...they came from a different world, a faraway place, but a place that was somehow familiar to me." Producer: Smita Patel.

Neurosurgeon and writer Henry Marsh on how "War and Peace" by Leo Tolstoy began a teenage love affair with all things Russian. "I burned the plastic coating off my NHS spectacle frames to reveal the revolutionary intellectual steel inside. And bought a young Communist League badge which I could wear on my black polo neck pullover." Marsh later drove across Europe to begin the first of many stints as a volunteer surgeon in Ukraine. "My life might easily have careered off in an entirely different direction if it had not been for Tolstoy," he says. Producer Smita Patel Editor Hugh Levinson.

Journalist and writer Afua Hirsch discusses "Wide Sargasso Sea" by Jean Rhys, the story of the forgotten first wife of Mr Rochester in Charlotte Bronte's novel Jane Eyre. Encountering Rhys's novel aged 14, Hirsch detested her account of a Creole girl growing up in 1830s Jamaica. Re-reading it much later in life, she came to believe that "it is one of the most perfect books ever written in the English language. The sparsity of Rhys's painfully meticulous sentences, which so alienated the teenage me, touches me now - a writer myself - as the work of a genius." The novel helped shape her thinking on Britishness. "Race is everywhere. Its legacy is real and traumatic. You can't opt out of it or - as so many people in contemporary Britain attempt to do - claim not to see it."Producer Smita Patel Editor Hugh Levinson.

Paul Morley would be happy to sign up to the notion that music is a civilising force were it not for the fact that everywhere he finds it co-opted for purposes that have precious little to do with the common good. Making a journey in a lift more relaxing, easing the stress of the shopping experience and luring people towards a purchase do not seem to him to be the hallmarks of civilisation. Paul finds much to rejoice at in the way technology has made music available to so many but calls for a vigilance in the easy assumption that all music is good.

Jameela Siddiqi remembers her own relatively late discovery of the power of Indian classical music in the hands of the Sufi singer Nusrat Fateh Ali Khan. A successful TV news producer with a stable job and a casual enthusiasm for music from Bach to the Beatles she found her world turned upside down by a concert by Khan in the late 1980s. She describes what happened to her, the musical world into which she felt inducted and the qualities of that world that she believes are entirely civilising.

Professor Kofi Agawu of Princeton University provides the third in The Essay series running in parallel to the BBC TV series Civilisations. Once again he is responding to the question of whether or not music is an entirely civilising force, and he does so having just returned from a visit to west Africa. Prof Agawu wonders how the musicians of the Asante kingdom, the sophisticated drummers, poets and singers, might respond to the idea that what they do is civilising, but he also tackles the colonial notion that the music of the colonisers was somehow superior to indigenous music and with that civilising. It's not a theory that stands the test of time when he recalls the four-part Lutheran hymns he remembers from his youth with the highly sophisticated rhythmic and poetic structures of Asante music which are now used in serious and popular music around the world.

Professor Alice Roberts chooses to look thousands of years back in human and pre-human history for signs and signals that music was not so much a civilising as a humanising force. Her exploration takes her to ancient archaeological sites where traces of early instruments have been found and the evidence of shifts and re-shapings in our pre-hominid ancestors which suggest some kind of musical interaction long before language developed.

In the first of five essay's responding to the BBC's TV series Civilisations, Sir Roger Scruton explores the notion that music might be a civilising force. His response draws on his own boyhood experiences of Classical Music as well as the nuanced thoughts and conclusions of Plato. He also tackles the uneasy relationship between history's less savoury music enthusiasts, Stalin and Hitler, and the lack of any civilising impact it had on them. There are no pat answers to these serious and challenging questions, but Sir Roger's conclusions rely for the most part on his responses to music and the potential he sees in it alongside religion, morality and love in any encounter with darker forces.

New Generation Thinker Simon Beard, from the Centre for the Study of Existential Risk, looks at AI and what the writing of Douglas Adams tells us about questions of morality and who should be in control. This year is the 40th anniversary of BBC Radio 4's Hitchhiker's Guide to the Galaxy. Recorded with an audience at Sage Gateshead as part of BBC Radio 3's Free Thinking Festival. New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select ten academics each year who can turn their research into radio.Producer: Fiona McLean.

New Generation Thinker Emma Butcher looks at what we learn about war from the writing of child soldiers in The Battle of Trafalgar and the childhood writings of the Bronte family who were avid readers of newspaper accounts of battles and memoirs of soldiers. Does their fantasy fiction show an understanding of PTSD and the impact of battle on fighters before such conditions were diagnosed? Dr Emma Butcher, literature historian at the University of Leicester, uncovers the history of Robert Sands, a powder monkey in the Battle of Trafalgar,. Does his experience muddy our sense of what childhood is ? New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select ten academics each year who can turn their research into radioProducer: Torquil MacLeod.

From Monarchs to Presidents. Joanne Paul on satire, flattery and document leaks in the C16 and C17 centuries and the relevance of strategies for telling truth to those who hold power over us now. Five hundred years ago a miscalculation on this front could leave you without a head. Today, the personal stakes may not be as high, but globally, we've never had so much to lose. Renaissance historian and New Generation Thinker Dr Joanne Paul, from the University of Sussex, takes us back to the 16th and 17th century techniques for challenging the establishment and the writings of Gegorge Puttenham, Thomas More and Sir Thomas Elyot and debates over the merits of flattery versus honesty, and whether it was better to lead or to compel. Recorded with an audience at Sage Gateshead as part of BBC Radio 3's Free Thinking Festival. New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select 10 academics each year who can turn their research into radioProducer: Torquil MacLeo

April 1916. By the Nile, the foremost poets of the Middle East are arguing about Shakespeare. In 2004, Egyptian singer Essam Karika released his urban song Oh Romeo. Reflecting on his travels and encounters around the Arab world, New Generation Thinker Islam Issa, from Birmingham City University, discusses how canonical English writers (Shakespeare and Milton) creep into the popular culture of the region today. Recorded with an audience at Sage Gateshead as part of BBC Radio 3's Free Thinking Festival in 2018.Islam's Issa's book, Milton in the Arab-Muslim World, won the Milton Society of America's 'Outstanding First Book' award. His exhibition Stories of Sacrifice won the Muslim News Awards 'Excellence in Community Relations' prize.New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select ten academics each year who can turn their research into radio. There are now 100 early career academics who have passed through the scheme. Producer: Fiona McLean.

A fashion show in Buenos Aires was put on for propaganda but football fixtures were deemed too risky. New Generation Thinker Dr Christopher Bannister, from the University of Manchester, looks at attempts to influence opinion about World War II in Latin America. Although relatively untouched by violence, support in such a strategically important region was vital to the British war effort. Bombs and bullets were no use here, so fashion shows, book launches, soap operas and films became the British Ministry of Information's weapons of war as New Generation Thinker Dr Christopher Bannister, from the University of Manchester, explains. Recorded with an audience at Sage Gateshead for BBC Radio 3's Free Thinking Festival. New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select ten academics each year who can turn their research into radio.Producer: Jacqueline Smith.

Alistair Fraser talks about teenagers, street life and filling time. Doing nothing has become the mantra of twenty-first century life. In an accelerated world, we yearn for a space where minds are emptied, iPhones left at the door. But doing nothing is not always a choice. For young people, bored on the streets, it's all there is. And for them doing nothing is always doing something. New Generation Thinker Alistair Fraser, from the University of Glasgow, has written books including Gangs and Crime: Critical Alternatives and Urban Legends: Gang Identity in the Post-Industrial City, which was awarded the British Society of Criminology Book Prize.Recorded with an audience at Sage Gateshead as part of BBC Radio 3's Free Thinking Festival. New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select ten academics each year who can turn their research into radio.Producer: Jacqueline Smith.