The Essay

Brigadoon, Unthank, Thrums. There are places in Scottish literature which are missing from gazetteers or GPS. Literary critic Stuart Kelly explores the imaginary places where Scotland's finest writing is set. Today he travels to JM Barrie's imaginary "Thrums.".

Unthank, Brigadoon, Thrums. Scottish literature is filled with place names that can't be found in a gazeteer or GPS. The literary critic Stuart Kelly explores the imaginary locations that have provided the settings for some of Scotland's greatest novels. Today, the novelist John Galt, little known outside Scotland, whose books provide some of the wittiest portraits of 19th-century Scottish life.

In this series of The Essay, recorded in front of an audience at the Hay festival earlier this week, five writers take George Orwell's essay title Why I Write as a starting point for their own explorations. The writers include the screenwriter, novelist and author of the opening ceremony for the 2012 Olympics, Frank Cottrell Boyce; the editor and translator Daniel Hahn; Horatio Clare, whose first book was set on the hillsides where he grew up around Hay itself; and the Welsh poet laureate, Gillian Clarke. Part of Radio 3's week-long residency at the Hay Festival, with programmes CD Review, Lunchtime Concert, In Tune, Free Thinking, The Verb and World on 3 all broadcasting from the festival.

In this series of The Essay, recorded in front of an audience at the Hay Festival earlier this week, five writers take George Orwell's title Why I Write as a starting point for their own explorations. The writers include the screenwriter, novelist and author of the opening ceremony for the 2012 Olympics, Frank Cottrell Boyce; the editor and translator Daniel Hahn; Horatio Clare, whose first book was set on the hillsides where he grew up around Hay itself; and the Welsh poet laureate, Gillian Clarke.Part of Radio 3's week-long residency at the Hay Festival, with programmes CD Review, Lunchtime Concert, In Tune, Free Thinking, The Verb and World on 3 all broadcasting from the festival.

In this series of The Essay, recorded in front of an audience at the Hay festival earlier this week, five writers take George Orwell's title Why I Write as a starting point for their own explorations. The writers include the screenwriter, novelist and author of the opening ceremony for the 2012 Olympics, Frank Cottrell Boyce; the editor and translator Daniel Hahn; Horatio Clare, whose first book was set on the hillsides where he grew up around Hay itself; and the Welsh poet laureate, Gillian Clarke.Part of Radio 3's week-long residency at the Hay Festival, with programmes CD Review, Lunchtime Concert, In Tune, Free Thinking, The Verb and World on 3 all broadcasting from the festival.

Literary journalist and writer Alex Clark has written many of our leading publications, and is a former Booker and Granta judge. She comes to Hay to ask 'Why I Write'.In this series of The Essay, recorded in front of an audience at the Hay Festival earlier this week, five writers take George Orwell's title Why I Write as a starting point for their own explorations. The writers include the screenwriter, novelist and author of the opening ceremony for the 2012 Olympics, Frank Cottrell-Boyce; the editor and translator Daniel Hahn; Horatio Clare, whose first book was set on the hillsides where he grew up around Hay itself; and the Welsh poet laureate, Gillian Clarke.Part of Radio 3's week-long residency at the Hay Festival, with programmes CD Review, Lunchtime Concert, In Tune, Free Thinking, The Verb and World on 3 all broadcasting from the festival.

In this series of The Essay, recorded in front of an audience at the Hay festival earlier this week, five writers take George Orwell's title Why I Write as a starting point for their own explorations. The writers include the screenwriter, novelist and author of the opening ceremony for the 2012 Olympics, Frank Cottrell Boyce; the editor and translator Daniel Hahn; Horatio Clare, whose first book was set on the hillsides where he grew up around Hay itself; and the Welsh poet laureate, Gillian Clarke.Part of Radio 3's week-long residency at the Hay Festival, with programmes CD Review, Lunchtime Concert, In Tune, Free Thinking, The Verb and World on 3 all broadcasting from the festival.

Welles's career is littered with lost and half-finished projects. Film critic, David Thomson explores the man's complicated relationship with failure.Five essays by five enthusiasts that follow the rise and fall of controversial Renaissance man, Orson Welles. Produced by Gemma Jenkins.

Five essays by five enthusiasts that follow the rise and fall of controversial Renaissance man, Orson Welles. Gatsby expert, Sarah Churchwell on Welles's talent for self-mythologizing and how he compares with fiction's great dissembler, Jay Gatsby.Produced by Gemma Jenkins.

Five essays by five enthusiasts that follow the rise and fall of controversial Renaissance man, Orson Welles. Film critic Peter Bradshaw shares his own Rosebud theory in his personal take on Citizen Kane.Produced by Gemma Jenkins.

Filmmaker, Kevin Jackson, crowns Welles the Prospero of the silver screen as he appraises Welles's Shakespeare trilogy.Five essays by five enthusiasts that follow the rise and fall of controversial Renaissance man, Orson Welles. Produced by Gemma Jenkins.

Five essays by five enthusiasts that follow the rise and fall of Orson Welles, the controversial Renaissance man who was an actor, film director, radio producer and theatre impresario. Essayists include film critics Peter Bradshaw and David Thomson and Sarah Churchwell. Simon Callow, Welles's biographer, tracks the transformation from schoolboy to prodigy and unpicks what really happened during the six months Welles spent at Dublin's Gate Theatre.Produced by Gemma Jenkins.

The novelist and academic Ian Sansom explores the literary, philosophical and cultural history of the table. From dining to designing, drinking and disagreeing; the table is central to our lives; "the departure point and launching pad for a thousand hare-brained schemes and ideas, a drawing board, a battlefield, and also the philosopher's favourite tool". Ian has raised a family round his kitchen table, but his true table as a writer is a solitary one. Bertrand Russell used the table as a symbol to explore the uncertain nature of observed reality; Wordsworth urged readers to rise up from their wooden desk, while Karl Marx used tables to explore the notion of commodities in Das Kapital, but is the table Ian built for O-level woodwork the truest thing he has ever made?'.

In the final programme celebrating comic actors from mid-20th century British film, Simon Heffer turns his gaze on a man whose priapic laugh alone merits an entire radio series. Sid James was at the heart of the phenomenally successful Carry On films and one of the best-loved and most easily recognised comic actors of his day. Throughout the 1950s and '60s, the many roles he played were all, in essence, the same. As Simon Heffer puts it: "To say Sid had range as an actor would be to do him an injustice. Sid not have range. Sid was Sid. And it was as well he was, because the audience expected Sid in the full pomp of his Sidness, and would have been crushed with disappointment by anything else."But Sid was not, by birth, the wise-cracking Cockney geezer whom he came to embody. He traced his roots back to Johannesburg, where he started life as Solomon Joel Cohen and began his working life as a gentlemen's hairdresser. Simon Heffer traces his journey from a few years in rep to bit-parts in British comic films, hi

A further chance to hear the columnist and historian Simon Heffer with his 2015 Essays on much-loved comic actors of mid-20th century British film.4 of 5: Tony Hancock.Tragedy and comedy have often shared the billing in Simon Heffer's series on British comic actors in mid-20th century film, but never more so than in the case of Tony Hancock.Hancock is warmy recalled for his embodiment on radio and television of a self-deluded failure, a man whose life has been an odyssey of constant frustration. His role in film was less succesful and Simon Heffer examines the reasons why.After critics noted the contributions of both his gifted screenwriters, Ray Galton and Alan Simpson, and of his main sidekick, Sid James, Hancock refused to work with them. Then he fired his agent.Simon Heffer considers the strengths but also the weaknesses of his two largely forgotten films - The Rebel and The Punch and Judy Man - and the sad demise of a brilliant performer whose influences are still apparent today. Producer : Beaty Rubens.

The columnist and historian Simon Heffer resumes his series of Essays celebrating mid-20th century British film with a new focus on five popular comic actors.In exploring five British comic film actors from the mid-20th century, Simon Heffer's gaze has never strayed far from the British obsession with class. The double-barrelled, single-named actor Terry-Thomas - with his monocle, his cigarette holder and the hallmark gap between his two front teeth - perfected the role of a particular type of British toff. Taking star billing in a series of films such as Private's Progress, I'm All Right, Jack, and Carlton-Browne of the FO in the mid-1950s, his timing was perfect too. Simon Heffer argues that whether playing a cad, a rotten bounder or a charmer, Terry-Thomas came to represent the louche and degenerate side of the upper classes at a time when the class system was coming under full attack. With his trademark mix of celebration and historical analysis, Simon Heffer sheds fresh light on a series of once hugely p

Resuming his celebration of mid-20th century British film, the columnist and historian Simon Heffer turns his gaze on five hugely popular comic actors. Alastair Sim is perhaps best remembered for a definitive interpretation of Scrooge, but Simon Heffer also recalls the run of classic comedies in which he perfected his role as a slightly ambivalent, often incompetent and occasionally threatening presence: The Happiest Days of Your Life, Laughter in Paradise, Captain Boycott and An Inspector Calls.He concludes by revealing the little-known story of how Sim came to play the main role - or, rather, roles - in a film which has become a landmark of British cinema - The Belles of St Trinian's. The inestimable Margaret Rutherford had been marked down to play the headmistress, Miss Fritton, but when Rutherford turned out to be unavailable, Alastair Sim offered to take on both his male part and the role of Miss Fritton, granting him the glorious lines: "In other schools, girls are sent out quite unprepared into a merci

A further chance to hear the columnist and historian Simon Heffer's Essays celebrating comic film actors of early British film. 1. Will Hay, by popular consent the greatest comic actor in films of the 1930s and '40s. With films such as Oh! Mr Porter, Boys Will Be Boys and The Goose Steps Out, Will Hay was, by popular consent, the greatest comic actor in films of the 1930s and '40s. Simon Heffer traces the rise to fame of this music hall star, who became best known for his anti-authoritarian roles, whether playing a policeman, a fireman, a stationmaster, a barrister, a professor, or - perhaps most famously - an incompetent and morally dubious schoolmaster. Producer : Beaty Rubens.

Poet and author Andrew Motion considers the penultimate lines of the Lord's Prayer, "Lead us not into temptation, but deliver us from evil".Five brilliant voices essay on different sections of the Lord's Prayer for our time. Author Ali Smith, Professor of Islamic and Interreligious Studies Mona Siddiqui, Rabbi Julia Neuberger, poet and undertaker Thomas Lynch and poet and author Andrew Motion examine each thought with a modern day searchlight, bringing theological knowledge, personal memory, poetic insight and imagination to an understanding of this prayer, murmured by millions every day. In all it's not even sixty words long and, as it appears in the Gospel according to Matthew, it's introduced by Jesus as a 'how to pray' guide: 'This then, is how you should pray". Today it's bound with the need to express our longing for a better world and something we all share, but what do these short lines mean and how do they help?Our Father which art in heaven, hallowed be thy name. Thy kingdom come, thy will be done o

Michigan-based poet and undertaker Thomas Lynch considers the lines of the Lord's Prayer "Forgive us our trespasses, as we forgive those who trespass against us".Five brilliant voices essay on different sections of the Lord's Prayer for our time. Author Ali Smith, Professor of Islamic and Interreligious Studies Mona Siddiqui, Rabbi Julia Neuberger, poet and undertaker Thomas Lynch and poet and author Andrew Motion examine each thought with a modern day searchlight, bringing theological knowledge, personal memory, poetic insight and imagination to an understanding of this prayer, murmured by millions every day. In all it's not even sixty words long and, as it appears in the Gospel according to Matthew, it's introduced by Jesus as a 'how to pray' guide: 'This then, is how you should pray". Today it's bound with the need to express our longing for a better world and something we all share, but what do these short lines mean and how do they help?Our Father which art in heaven, hallowed be thy name. Thy kingdom co