Stinker Madness - The Bad Movie Podcast

"High Concept" apparently means "really stupid and poorly thought out". Junior (1994) is a film that desperately tries to blend comedy, science fiction, and social commentary but ends up being a tedious and unenjoyable mess. Despite the star power of Arnold Schwarzenegger, Danny DeVito, and Emma Thompson, this movie falls flat in nearly every aspect, leaving the audience bored and disappointed. First and foremost, Junior is painfully boring. The premise of a man becoming pregnant, while initially intriguing, quickly loses its novelty. The plot drags on without any real momentum or excitement. Scenes that are meant to be humorous or touching instead feel forced and uninspired. The pacing is sluggish, and the film fails to maintain any level of engagement, making it a chore to sit through. Moreover, Junior manages to be offensively tone-deaf to the concept of motherhood. The film's portrayal of pregnancy and childbirth is shallow and insensitive, reducing these profound experiences to mere comedic fodder. Th

For an 80's boobie movie, this sure does feel wholesome somehow. "State Park," the 1988 comedy that has quietly garnered a dedicated cult following over the years, stands out as a delightful anomaly in the landscape of 80s teen comedies. This movie, often described as a summer version of the era's quintessential skiing flicks, turns all the expected tropes on their head with a refreshing blend of humor and heart. What truly sets "State Park" apart is its light and inoffensive approach to comedy. At a time when many of its contemporaries leaned heavily on raunchy and often cringe-inducing jokes, "State Park" opts for a more wholesome brand of humor. The jokes are clever and endearing, making it a perfect watch for those who appreciate a good laugh without the discomfort that often accompanies 80s comedies. This restraint in humor has aged remarkably well, allowing "State Park" to retain its charm and appeal to new generations of viewers. Set in a picturesque summer camp, the movie channels the energy and an

So this entire movie is just being recounted during a police interrogation? Face it, R.O.T.O.R. is one of the best bad movies there is. "R.O.T.O.R." is a cinematic gem that defies all conventional standards of quality to deliver an experience so bad it's absolutely good. This 1980s sci-fi action flick is a masterclass in unintentional comedy and bewildering plot choices, making it a must-watch for fans of hilariously awful movies. From the very first frame, "R.O.T.O.R." sets the tone with its laughably earnest attempt at a futuristic police thriller. The plot, centered around a rogue robotic cop named R.O.T.O.R., is as absurd as it sounds. The storyline is riddled with nonsensical twists and turns, leading to moments of pure, unadulterated confusion that are nothing short of entertaining. The acting is delightfully wooden, with performances that feel like they were plucked straight out of a high school drama club. Each line delivery is a treasure trove of over-the-top seriousness, adding layers of unintend

I'm sorry, I already forgot everything about this movie. And so will you. "A Family Affair" (2024) is a film that struggles to rise above mediocrity in almost every aspect. From its trite and mundane script to its overall tone and feel, which screams Hallmark Original, this movie is a disappointment on multiple levels. The plot is as predictable as it gets, with clichéd dialogue and uninspired story arcs that fail to engage or surprise the audience. It feels like the writers took every tired trope they could find and stitched them together into a barely coherent narrative. There is no depth, no innovation, and certainly no spark to elevate the story from the realm of the forgettable. Adding to the film's woes is the atrocious makeup, which somehow manages to make its lead actors look weirdly unnatural. Instead of enhancing their features, the makeup seems to have been applied with a heavy hand, creating an off-putting appearance that distracts from their performances. The music is another glaring i

Don't go running in the park at night! It's not smart! If you ever find yourself yearning for a film that epitomizes the phrase "so bad it's good," look no further than the 1984 classic Alley Cat. This cinematic gem stars Karin Mani as Billie, a karate black belt street justice fighter whose commitment to poor decision-making is nothing short of legendary. Alley Cat’s plot is a tangled mess of incoherence and absurdity. Billie, our fearless heroine, seems to have an inexplicable obsession with venturing into the park at night. You’d think that after the first few attacks and a trespassing arrest, she might reconsider her nocturnal strolls. But no! Billie’s dedication to wandering into danger is rivaled only by her proficiency in delivering high kicks to hapless thugs. Watching Billie’s nightly park excursions is like watching a moth repeatedly fly into a flame. Each visit is an invitation for trouble, and trouble eagerly RSVP's every time. It's almost as if Billie is playing a demented game of tag with the

Did Stephanie ever have to worry about the incinerator? "Stuff Stephanie in the Incinerator" is a delightful surprise that defies all expectations. As someone who was anticipating the typical over-the-top antics synonymous with Troma releases, I was completely taken aback by the film's unique charm. This movie is not just another exploitative romp; it's a cleverly written, weirdly funny, and remarkably well-directed gem that stands out in the world of low-budget cinema. From the moment the film begins, it's clear that this is not your average Troma fare. The writing is sharp and unexpectedly nuanced, weaving a narrative that is as engaging as it is bizarre. The story, filled with twists and turns, keeps you guessing until the very end. It's a testament to the screenwriter's talent that a plot this offbeat can remain so coherent and entertaining throughout. Humor plays a crucial role in "Stuff Stephanie in the Incinerator," and it's executed with a finesse rarely seen in B-movies. The comedic elements are w

Look into your future and see if you're gonna be in any other movies. Looks bleak!  "Madame Web" is a masterclass in how not to make a superhero movie or really any movie for that matter. From start to finish, it's a torturous slog through wooden acting, a plot riddled with more holes than Swiss cheese, and an antagonist so one-dimensional and implausibly powered that it feels like the writers stopped caring halfway through. The acting, if it can even be called that, is painfully stilted. Each line is delivered with the enthusiasm of someone reading a grocery list, making it impossible to connect with any of the characters. The supposed chemistry among the cast is non-existent, leaving the audience to endure awkward interactions and flat dialogue that makes the lengthy runtime feel even longer. As for the plot, it seems the writers threw coherence out the window but more likely were shackled by the studios fidgeting from the "men in ties" department. The story is a tangled mess of nonsensical events t

Thrill as J-Lo complains in a chair in front of green screen for 45 minutes. That butt, tho.... "Atlas," starring Jennifer Lopez, aims to be a thrilling sci-fi adventure but ultimately lands in the realm of forgettable mediocrity. The plot, which revolves around a dystopian future and a battle for humanity's survival, is riddled with flaws and holes that make suspension of disbelief a constant struggle. The storyline feels hastily stitched together, with plot twists that are more confusing than surprising. Lopez's portrayal of Atlas, the protagonist, is another sticking point. The character is meant to be a strong, determined leader, but instead comes across as overly whiny and frustratingly indecisive. This makes it difficult to root for her, as her constant complaints overshadow any moments of genuine heroism or strength. The dialogue in "Atlas" doesn't help matters. It often feels stilted and unnatural, almost as if it was generated by an AI—mechanical and devoid of real human touch. Characters spout li

Less people get sat on by robots in war, I guess. So Robot Jox is a conglomeration of many other staples in 1989. You've got a post-apocalyptic setting thanks to the Cold War. You've got a sports related global event ala Rollerball, Deathrace 2000, Running Man, et. al. And you've got robots fighting ala Rock 'Em Sock 'Em Robots. Ok, maybe the last one was a stretch but you get the picture. Lastly, you've got a critical factor. George Lucas.  Yes, Lucas made all the money when he kept the licensing rights to the Star Wars franchise and then became the richest man in the galaxy when the toy line was released. Well, Charles Band hoped for no less. With the meteoric rise of The Transformers and subsequent collapse when the killed Optimus Prime within the first 10 seconds of the movie, Charlie say an opportunity to sell giant robots IF the movie Robot Jox was successful.  Narrator: It was not. Oh well. But it does add a very interesting connection to another film that wanted to make all the toys - Me

The Highlander theatrical cannon comes to a close...by making all the same mistakes as the first two movies and we can't thank them enough for it. Highlander: Final Dimensions is a rollercoaster of absurdity that somehow manages to entertain despite its sheer ridiculousness. From the mind-boggling plot that's as convoluted as a tangled ball of yarn to the laughably bad acting that makes you wonder if the cast drew straws to see who would overact the most, this movie truly embraces its own brand of campiness. Let's talk about those special effects. Cheesy doesn't even begin to cover it. It's like someone raided the bargain bin at a 90s CGI outlet store and said, 'Yep, this'll do.' But you know what? It adds to the charm. You can't help but chuckle at the sight of the so-called 'epic battles' that look like they were choreographed by toddlers with foam swords. And then there's Mario Van Peebles. Bless his heart, he goes all-in with a portrayal that can only be described as unhinged. It's like he read the scr

Its that time of year where we celebrate another year of reviewing and loving bad movies. Each year we count down our individual favorite movies we saw in the last 12 months. If you want to find out exactly which bad movies you should watch right now, this is the episode you'll want to listen to. Can we finally all agree on a #1? Plus we also countdown our favorite 3 movies released in 2023.

Are you enough of a tough guy verbally to handle how much of a tough guy everyone is in this movie when even the ladies are tough guys? No chance. "The Rage" is a rollercoaster of a movie, and not necessarily in a good way. Strap in for some truly crazy stunts that will have you gripping the edge of your seat... or maybe just scratching your head in confusion. Lorenzo Lamas, Gary Busey, and Roy Scheider lead the charge in this adrenaline-fueled thriller, but even their combined star power can't salvage the wreckage of a script that seems to have been cobbled together in a hurry. The dialogue is so melodramatic it borders on unintentional comedy, and not even Busey's trademark wild-eyed intensity can save it. Sure, there are moments where the action ramps up to heart-pounding levels, with stunts that defy logic and gravity alike. But every time you start to feel the adrenaline kick in, you're rudely yanked back to reality by yet another cringe-worthy set of dialogue. In the end, "The Rage" is like a souped

Hot coeds go to a bowling alley and unlock a poop monster and find death and love in the process. "Sorority Babes in the Slimeball Bowl-O-Rama" is a delightful romp through the absurd and the outrageous, delivering a unique blend of horror, comedy, and pure camp that is sure to entertain audiences of all tastes. Released in 1987, this cult classic is a testament to the creativity and ingenuity of low-budget filmmaking. First and foremost, the film's title alone sets the tone for the wild ride viewers are about to embark upon. It promises a mix of sorority shenanigans, grody antics, and the unlikeliest of settings—a bowling alley. And boy, does it deliver! From the moment the opening credits roll, audiences are thrust into a world where anything goes and no joke is too outrageous. What truly sets "Sorority Babes" apart is its commitment to embracing its B-movie roots with open arms. The practical effects may be cheesy by today's standards, but they're executed with such infectious enthusiasm that it's impos

Its bad. I mean, so, so, so very bad. Like "worst movie of all time discussion" bad. "Rollerball" (2002) is a cinematic catastrophe of epic proportions. This abomination of a film is a perfect storm of incompetence, delivering an experience so profoundly dreadful that it defies all reason and logic. From its mind-numbingly idiotic plot to its nauseatingly abysmal editing, every aspect of this cinematic disaster screams of ineptitude. Let's start with the plot—or rather, the lack thereof. Attempting to discern any semblance of coherence or intelligence from the narrative of "Rollerball" is an exercise in futility. It's as if the writers threw darts at a board covered in clichés and assembled whatever they hit. The result is a plot so insanely stupid that it effectively nullifies its own existence. Characters flail about in a sea of nonsensical motivations and contrived conflicts, leaving audiences scratching their heads in bewilderment and frustration. But the plot is only the tip of the iceberg of inc

 Dalton hasn't calmed down much in 35 years but he's gotten a lot more polite when he's punching your nose into your face. "Roadhouse" (2024) starring Jake Gyllenhaal offers a lukewarm viewing experience that leaves much to be desired. While the action direction from Doug Liman is undeniably thrilling, it's unfortunately overshadowed by a frustratingly lackluster script that feels like a missed opportunity at every turn. Gyllenhaal steps into the iconic role with commendable effort, bringing his own spin to the character, but ultimately, the script fails to fully utilize his talents. The plot feels disjointed and often veers into the realm of the absurd, leaving audiences scratching their heads rather than fully immersed in the action. One can't help but compare this rendition to the beloved original, which continues to draw annual viewings from dedicated movie lovers. While the 2024 version has its moments of excitement, it lacks the timeless appeal and depth of its predecessor. Overall, "Roadhouse"

Rosie O'Donnell does the thing Robert Downey Jr. said never to do and earns all of the internet's hatred...but is it deserved? "Riding the Bus with My Sister" is a film that falls squarely in the realm of made-for-TV movies, a genre often associated with mediocrity. Yet, within this sea of forgettable productions, this 2005 offering manages to stand out—not necessarily as a shining gem, but certainly as a passable diversion. On the surface, it's easy to dismiss "Riding the Bus with My Sister" as just another Hallmark Channel movie, known for their often formulaic and saccharine narratives. And while this film does share some of those traits, it also manages to offer moments of genuine warmth and sincerity that elevate it slightly above the typical Hallmark fare. One of the most notable aspects of the film is Rosie O'Donnell's portrayal of a neuro-divergent character—a choice that has garnered both criticism and praise. It's undeniable that in today's landscape, casting decisions like this would be scrutini

A cavalcade of terrible decisions that 3 Oscar winners and an Emmy winner decided was good for them, gave us a movie that's good for us but no one else. "Tiptoes" is a cinematic trainwreck that defies all expectations of quality filmmaking. From its cringe-inducing dialogue to its baffling plot twists, this movie is a prime example of how NOT to make a film. Despite boasting not one, not two, but THREE Oscar-winning actors in its cast, "Tiptoes" is a catastrophic failure that leaves audiences scratching their heads in disbelief. The film clumsily attempts to tackle serious themes, masquerading as Oscar bait with its contrived drama and heavy-handed messages. However, instead of delivering poignant moments, it delivers unintentional hilarity. You'll find yourself laughing at scenes that were clearly meant to evoke tears. But the real kicker? Gary Oldman, a supremely talented actor, is somehow stuffed into a couch for a significant portion of the movie, both literally and metaphorically. Yes, you read that r

The nachos I ate during viewing were far more explosive. Blown Away (1994) has all the ingredients for a high-octane thriller, with an explosive premise centered around a former IRA terrorist, played by Jeff Bridges, who becomes a bomb disposal expert. However, the end result is an underwhelming movie that leaves audiences feeling like they've just sat through a 2-hour snooze fest. The film is full of promise, but it fails to deliver on its potential. One of the most glaring issues with Blown Away is its lack of pacing. Despite the promise of the plot, the film drags on for what feels like an eternity. The pacing is so sluggish that it becomes a struggle to stay engaged with the story. Additionally, the movie is filled with far too many scenes that seem to exist solely for the purpose of having "bomb" in the them. These scenes are repetitive and add little to the overall plot, making them feel like filler. Another major problem with Blown Away is its failure to establish any real stakes. The film never tru

Notorious for being one of the biggest flops of all time, can it be as bad as history has made it out to be?  The 1987 film "Ishtar" and let me just say, is...confusing. The movie seems to have garnered a reputation for being a colossal flop, and while I can understand why some might hold that opinion, I believe there's more to it than meets the eye. Let's start with the positives. It's clear that Warren Beatty and Dustin Hoffman, two respected actors, had a chemistry that worked on screen. Their comedic timing, though often misfired, had moments of genuine amusement. Moreover, I can't help but appreciate the audacity of the film's premise: two struggling musicians get caught up in a web of international intrigue while trying to make it big in North Africa. It's the sort of outlandish setup that could have resulted in a cult classic if executed differently. Think Romancing the Stone but executed like Condorman. Yet, execution is where the film struggles most. The jokes, while sometimes clever, often f

I fell in love with these murderous undead bastards and there's nothing wrong with our love!!! Lisa Frankenstein is a delightful film that takes classic Gothic horror elements and sprinkles them with an unparalleled whimsy. The movie hits all the right notes with precision and panache, creating a memorable viewing experience that leaves a lasting impression. This praise-worthy offering deserves applause for several reasons. First and foremost, the cast deserves immense credit for bringing their A-game to the table. Each actor fully embodies their respective characters, breathing life into the quirky, offbeat personalities we've come to love. Their chemistry on-screen is palpable, making their interactions feel genuine and heartfelt. From the leading roles to the supporting cast, every performance is delivered with impeccable timing and nuance. The art direction in Lisa Frankenstein is a feast for the eyes, blending the familiar with the fantastical. The sets are rich in detail, transporting viewers to a wo