Stinker Madness - The Bad Movie Podcast

The autobiographical story of how a teenage girl breaks her dad's "no banging guys who knock up other ladies and then get them terrible abortion doctors" rule over the summer at a sex-trafficking church camp for rich hypocrites. Yes, I know this is your mom's favorite movie. There's strike number one. What Dirty Dancing is (besides a cultural phenomenon) is a non-movie. A series of events without what we in the biz like to call a plot is not a movie. No, the plot isn't "Baby falls in love" - that is over within the first 1/3 of the movie. No, the plot isn't "Baby learns to dance and wins the competition" - that happens halfway through. Best we can do is the plot is "Father learns daughter's summer love didn't impregnate a grown woman". That's not really something to put 100 minutes around. Secondly, there's the icky. This movie is dripping with icky. No, it's not the dancing. The dancing viewed through modern lenses is quite wholesome. The icky is the glorification of statutory rape. Baby is 17.

The autobiographical story of how a teenage girl breaks her dad's "no banging guys who knock up other ladies and then get them terrible abortion doctors" rule over the summer at a sex-trafficking church camp for rich hypocrites. Yes, I know this is your mom's favorite movie. There's strike number one. What Dirty Dancing is (besides a cultural phenomenon) is a non-movie. A series of events without what we in the biz like to call a plot is not a movie. No, the plot isn't "Baby falls in love" - that is over within the first 1/3 of the movie. No, the plot isn't "Baby learns to dance and wins the competition" - that happens halfway through. Best we can do is the plot is "Father learns daughter's summer love didn't impregnate a grown woman". That's not really something to put 100 minutes around. Secondly, there's the icky. This movie is dripping with icky. No, it's not the dancing. The dancing viewed through modern lenses is quite wholesome. The icky is the glorification of statutory rape. Baby is 17.

Its Schwazenator vs Y2k fears! The epic battle begins! Meanwhile, Gabriel Byrne gets a handful. So what we've got here is that Satan wants to ensure that the Anti-Christ's mom is gonna be good to go when she's old enough for a rogering. The PROBLEM is that it takes about 15 views to understand that. The film is mostly just nonsense action sequences that could very well be just unconnected events if one isn't taking notes on the dialogue (or listening to a podcast discussing this all). The late 90's...why did you have to ruin every silly movie with your dark pre-apocalyptic tones?!?! End of Days is a cheesy Arnold movie that would have been a classic if it had been made 10 years earlier. But the damn 90's ruined it. You can expect common fair such as jump scares, choppy editing, a hero that hates his life outside the events of the film, and trench coats. Change these things to big hair, exploding choppers and electronic drum kits while leaving every thing else the same we've got a classic stinker. Argh.

If 1980's Hollywood was obsessed with water shortages, the 90s was obsessed with evil cable TV. Here a husband and wife get sucked into a hellscape of television also known as CBS Primetime. So what we've got here is that John Ritter's Roy is obsessed with watching TV and ignores his responsibilities, his kids and his wife. Pam Dobber as Helen seeks for a way to get him off the tube but that problem works itself out when both are sucked into a Devil's Gambit that sends them through various television parodies and tropes. If that wasn't the setup for 90's comedy gold...let's chuck $25 million at it! When you've got parodies like "The Napper Crapper" and "Golden Ghouls", you HAVE to spend $25 million on it! I mean it's got John Ritter and Pam Dobber in it! $25 million! Where everything went right in UHF (even though it was a flop too) very rarely does anything go right here. It's a series of hammy Full House style jokes and groan inducing one-liners. It comes off as a compilation of SNL's worst sket

Perhaps it was your favorite movie when you were 9. Maybe you should watch it again as an adult - it might still be your favorite movie. Some movies that have production failures on the level of The Ice Pirates go into the barrel of cinematic toxic waste. The list is so long that we have only started to scratch the surface of such turds. Yet The Ice Pirates is a spectacle. Its failures never detract from what it was attempting to be and accomplish. Usually when you have a Hall of Fame worthy film, it's because of it being misunderstood by a mass audience or falls into the "its so bad, it's good" style. However, The Ice Pirates is what it is - a cheesy great time. There's no hidden commentary. There's no laughing at it ironically. It's just a movie that could never have been "good" by its nature and still manages to be great. The cast is fantastic. The jokes are solid. The set pieces are iconic. And the end is absolutely spectacular. There is a reason so many great writers borrow from Th

Its a straight-up western, but because its from 1987 it has to be set in a post-apocalyptic world and instead of cowboy hats, we get hair-spray helmets. Despite everything there might be a good movie buried in the sands. So its Shane, Once upon in the West, Star Wars and Fallout 4. Ok, maybe Fallout 4 is Steel Dawn. Clearly, Fallout 76 is Steel Dawn. Anyways, this is a hot mess.  The music doesn't fit. The world doesn't make any damn sense. The plot doesn't make much sense. The hair makes no sense. The action is ludicrous. The Stranger's one-liners are silly. It's just a pile of not doing a good job and yet...somehow it feels like there's something good here. The tone of the whole movie is a fairly conventional western theme. A lone wanderer with a dark past shuffles into town, where he meets a widow and her son along with their jealous and lonely foreman, and has to defend the farm from a rival who wants their resources. That's about as western (or Japanese samurai, of which most spaghetti westerns a

Its one of those iconic 80's swords and sandals/science fiction blend movies and beloved by many. We can understand why, but this was a massive failure that likely cost the genre decades of great movies until the LOTR Trilogy. So Krull is one of the most expensive movies of the 80s and fails on so many levels. You've got the classic inaction in action (nothing happens during action sequences), the choreography was done by Stevie Wonder, and the effects and sets are so overly impossible to do that they end up looking like 2nd grade paper Mache. The wire work is only worse in Spider-Man: Turn off the Dark. The costumes are atrocious and prevent the actors from actually engaging with each other or the scene itself. Its a mess. While all of that may sound like Red Sonja or Dune, Krull falls more into the Flash Gordon's of bad movies. Its loved because of the cheese and the failures. Add in wizards living with kids in rocks, a doofer for a hero, forgetting to use The Glaive, the cyclops who can see less than the

It ain't Blade. It's 90s Anne Rice with unattractive people and inept opponents. And it all could have been avoided by drinking tea together. At least everyone is evenly matched. Don's Jack Cutter is way ill equipped and ill prepared to be taking down even lower level vampires. Guns don't work, bud. A sword seriously would have been cheaper and more effective than his shotgun and M1911s. Or a hammer. Use a damn hammer! Why a hammer against vampires? Because the vampires have spines that are made of glass. Well big deal right? Nope that's the only way you can kill them. By breaking their incredibly fragile spine. Huh... And so the idiot plot begins. This entire movie is about vampires fight vampire hunters - all because the vampire hunters want to kill them. Why do the vampire hunters want to kill them? Because the vampires want to kill them. Not because they are abominations. Not because they are eating people. Not because their tired of their goth attire. Nope. Its just a blood feud. So all this could have

Charlie Bronson goes to Colorado to deal with that same ol' blood feud when two Mormon bros. branch out into some pretty wild dogma all while Charlie walks around and does some really bad reporting. Bronson's Smith is arguably the worst reporter I've ever seen (Chris Cilliza at least says something even if its moronic) and I don't understand how anything happens in this film around him. We've got your classic idiot plot here. The villains yell out "Hey it's us, look at us! We're the water company! Arrest us!" while the surrounding cast of characters look at a silent Smith for all the answers. Usually Bronson is a blank slate in Cannon movies but I really can't blame him for this one. Smith is just that slow. As for what's going on here... well, it's just Chinatown. These water companies are apparently a real problem and probably require some federal regulation, at least oversight. Yet, somehow the villain's plot just doesn't work. Starting a blood feud to gain access to an artesian water source to inflate c

A town of MAGA boys get a parade each time they win a baseball game and the ladies have had enough of their bull. Sadly, their anger lasts about 24 hours. This is why we can't get anything done in this country. According to Lloyd Kaufman, this is a women's liberation movie. I think he might have decided that way after the fact and the ties to women's lib are behind  boobie movie king, Andy Sidaris saying the same thing. Sure, its got women in leads who want to be treated equally to men, but these are straight up bimbos. Where Andy's ladies were strong and smarter than their male counterparts (also usually topless), Lloyd's lady baseball team are mostly only in it so they can either get their boyfriends back or make the boys fall in love with them. Sadly, the movie never asks the ladies, "Why in the hell would you even want anything to do with these tools?" If it had, the answer would likely be, "Because we also suck." Now, there are little flights of fun here - the over hammering the ridiculousness of

Totally awesome video game! Jeff tries to save the community center that doubles as a video arcade with the help from his friends against the dubiously motivated Joe Don Baker who wants to shut it all down. Will Billy Jack win the ski competition to save the school from the rival break-dancers? Joysticks is arguably Greydon Clark's magnum opus. Its all of it. He threw every cheesy bad movie trope he could think of. Amazingly bad/awesome theme song? Check. Not so subtle phallic worship? Check. A nerd with a heart of gold who may or may not be packing heat? Check. Joe Don? Check. Boobs and then boobs on top of boobs? Check. Uncle Rico? Check. Valley girls who just love video games? Check. Filming without permits? Check. Everything is here. While the plot is a fairly loose save the community center plot, there's just so much more here than that. Its a hodge-podge of 80's cheesy personalities with a flair of nothing matters but helping each other out He-Man morals. One might get sidetracked by the holy mol

Its twists! Its turns! Its lefts and rights! Its yields to oncoming traffics. Its Acme Fake Tunnels slapped onto the side of a cliffs! Ben Afllecks and Charlizes try to give us a shocker and instead we get the upper decker. Reindeer Games is such a pile of mess. On one side you've got "that friend" that watches this on TNT one night (usually while wishing they were invited to the party you're throwing but you intentionally didn't because they can't play in any reindeer games, OMG you're a total dick, dude) then later comes to you and begs you to watch it with them and then stares at you the whole time until 'the big reveal' and then waits for you to react - you don't and they are shocked. You're not the type of person who will be shocked (you listen to Stinker Madness and know your stuff) and so you're relationship gets even more strained but you feel guilty because of that one time when you were really hard up after your girlfriend (that you thought was at least a 9 but was really more like a 6 and just had

Nothing says Xmas like a handful of spinning tornados. And nothing makes less of a Christmas movie than just sprinkling in some Christmas decorations in post. I mean at least have the tornado suck up a tree farm or something! Well, it's not good. That's it, I'll take my leave of you. Oh, I actually have to write up a review? Damn.  While it has the production quality of a SyFy movie, it exceeds past anything The Asylum can do. Part of that comes from Casper Van Dien. CVD has this unique ability to carry a movie enough to put it in the "do" column. "Oh this movie is a 4? Well I'm gonna have to put it on my back to get it to a 6." Secondly, the production crew knew what they were doing here. They have very little to work with but getting it done with the tools they have is what they do and then they have some fun with it. Nothing looks good, don't get me wrong. But they just cram in more things that don't look good to cover up the other things that don't look good. While its not a GREAT bad movie, there

David DeCouteau gives us a clinic on how to make a terrible movie in 2 days. Yeah it stinks, but hey! Two days! Suck it, Spielberg! Gary Daniels, Cynthia Rothrock, Kathy Long and Daniel Bernhardt give us the least action packed movie of all time. Yes you read that right. There is a total count of 0 spin kicks. 0 double axe handles. 0 flying leap kicks to the tummy. Literally there is 0 action. You pulled a big one on us David, you got us. LOL. Haha. We've all had a good laugh now, but so can you seriously add a Special Edition which involves Gary Daniels sweeping Chris Mitchum's legs and Cynthia Rothrock giving Daniel Bernhardt a back breaker over the couch while Kathy Long does a flying kick through a window - shattering Andy's (or Justin Bieber?) clavicle?  Two of our podcasters thought this movie was boring and I don't get it. I loved this movie. It's arguably the best riffing movie we've ever seen. I mean imagine Birdemic bad but doesn't piss you off and still manages to capture the true meaning of

The Hoff and Joan Collins find love and trouble in a plot to steal all her stuff. Can Curt Taylor find a way to save her career, her belongings, his own life and stop Kojak from further living in up in Club Feb? You tell us - cause we couldn't be bothered to pay attention. The Cartier Affair is an absolutely solid movie - if you are stacking it against other made for TV movies from the 80's. And then Lonesome Dove came out and TV was changed forever. For the purpose of this podcast/blog - The Cartier Affair is a massive waste of time. There's just nothing to show up for. The plot isn't fun but it's concise. The acting is competent but no standouts. The action "exists" and that's about the best I can say for it. It's just buttered toast that is perfectly toasted. It's still just buttered toast. So yes this review is short. That's because there's just nothing to call attention to. I guess if you want to see a TV movie from the 80s that doesn't suck. Go for it. However, if you are wanting to use

Richard Chamberlain and Sharon Stone return with a few cast surprises and a completely different tone of movie than the first one. Give this one two tries at least. You might love it more if you see it again. Yes, we know. This isn't near as silly and bonkers as the first one. Yes we know that they recycled pieces from the first one, namely the music and a few shots. Yes we know that the city of gold reveal is pretty unimpressive. BUT.... There is something strange going on here. And it all comes down to James Earl Jones. Despite the good chemistry between Chamberlain and Stone in the first one, here they have GREAT chemistry and that's due to the immense presence and professionalism that is JEJ. His presence just amplifies everyone around him and he fits in perfectly this film. He's also a serious badass. In fact, at one point JEJ lifts a guy over his head and throws him. Like to see you do that, DiCaprio! What we have found is that when we watched this the first time we all said, "Yeah it's not as good a

This week on the show we expose (giggle) the penis in Teen Wolf, we reveal a VERY big announcement, reviews of Bloodshot and the entire Karate Kid series, one of Jackie's most sober Spookie, Clauzy gives us some Nonsensical November picks and Sando takes on photographers.

Richard Chamberlain and Sharon Stone team up in arguably the best/worst knockoff in film history and arguably Cannon Pictures most fun and most accessible project. Hashtag shenanigans to come. Campy, cheesy, corny, and whatever C words you can come up (no not that one) fit here. While clearly being an attempt to ride on the financial coattails of Indy, King Solomon's Mines departs greatly in tone. Its more of a Errol Flynn knockoff than anything with Harrison Ford in it. Sure, there is no swashbuckling, but there's an endless parade of "adventure shenanigans", overly ridiculous villains, and constant damsel in distress scenarios with Sharon Stone's Jesse Houston. Yet, it still maintains a high-level of Cannon ineptitude with bananas set-pieces, terrible rear-projection (think Megaforce), poorly thought-out plot and character motivations and one after the other one-liners. I mean if you wanted The Delta Force mashed up with Batman: The Movie with a cheesy layer on top of Robin Hood, you'v

Despite it's own best attempts to keep it down, like its terrible VHS cover and misguided title, this western with vampires is an absolute must-do and instant classic. Can we finally have peace with the bloodsuckers? So the premise here is that vampires have been sent into hiding and chose a small town in the west called Purgatory to sit out the years in relatively quiet peace built by Count Mardulak (David Carradine). They've built their own factory to produce a blood substitute so that they don't have to murder anymore and keep their numbers manageable. That's all going well until the Mayor or guy in charge of staffing (?) Ethan Jefferson (John Ireland) hatches a plan to take over the town and return to the old bloodsucking days. Add in a visit from Van Helsing's descendent (Bruce Campbell) and a family of four with a history to the CEO of Vampire Science Co and you've got a volatile situation brewing. Most times when you have a premise and a vision for a film such as this, you end up with complete failur

It's a road trip movie with a cast of psychopaths through zombie infested forests, cannibalistic tribal villages, eclectic owners of mansions, and kittens who live in grandma's tummy. Rough to view in places and absolutely hilarious in others. Viewer beware - this is advanced class stuff. This movie comes with two major warnings: if you're burned out on zombies this one ain't gonna bring you back if you have eaten food in the last few days, prepare to vomit it in your lap Because Bruno Mattei is who he is, he's stolen a ton of footage from other films and sources to fill in the time to get to 90 minutes. There's plenty of shots of critters and birds being critters and birds. Ok, instead of fades and wipes you transition with birds and critters, ok. Well here, he's managed to stick with that plan but he get his hands on some documentary footage about cannibals and tribes that do icky stuff with corpses and then crams WAY too much past the shock level and goes into the vom-zone. Some viewers will need t