Weird Studies

Journey into the Zone to uncover some of the strange artifacts buried in Tarkovsky's cinematic masterpiece, Stalker (1979). In this first of a two-part conversation, Phil and JF discuss a poem by Tarkovsky's dad, compare the film with the sci-fi novel that inspired it, explore the ideological underpinnings of formulaic genre, delve into the meaning and affordances of the concept of zone, and affirm that in a sufficiently weird mindset, even a casual stroll in your hometown can become an excursion into a Zone of your own. REFERENCES Andrei Tarkovsky (dir.), Stalker Arkady and Boris Strugatsky, Roadside Picnic The Wachowskis (dir.), The Matrix James Cameron (dir.), Avatar Second City Television (SCTV), vintage Canadian comedy show Alex Garland (dir.), Annihilation (based on the novel by Jeff Vandermeer; here's an article on how Garland's film differs from Vandermeer's arguably weirder text) SCTV, Monster Chiller Horror Theatre: Whispers of the Wolf Learn more about your ad choices. Visit podcastcho

Heraclitus of Ephesus was one of the great pre-Socratic thinkers. Called the Obscure and the Weeping Philosopher, he left behind a collection of fragments so mysterious and pregnant with meaning that they continue to puzzle scholars to this day. In this episode, Phil and JF use a random number generator to select a number of fragments and speculate about their content. By the end, they will also have disclosed the bizarre contents of JF's tenth-grade "hippie bag," outed Oscar Wilde as a Zen Buddhist, and taken a walking tour of a city that exists only in Phil's dreams. REFERENCES Pierre Hadot, What is Ancient Philosophy? Northrop Frye, The Great Code Northrop Frye, Words with Power I Ching: The Book of Changes Oxford World Classics, The First Philosophers: The Presocratics and Sophists Wikisource page for Heraclitus James Hillman, The Dream and the Underworld Dogen Zenji, Genjokoan Mark Johnson, The Meaning of the Body Gilles Deleuze on Spinoza Benedict de Spinoza, Ethics Oscar Wilde, The Picture o

American filmmaker Rodney Ascher is a master of the weird documentary. Whether he be exploring wild interpretations of a classic horror film in Room 237, bracketing the phenomenon of sleep paralysis in The Nightmare, studying the uncanny power of the moving image in "Primal Screen," or considering the sinister power of a kitschy logo in "The S from Hell," Ascher confronts his viewers with realities that resist final explanations and facile reduction. In this episode, Phil and JF follow Ascher's films into the living labyrinth of a strange universe that isn't just unknown, but radically unknowable. REFERENCES American filmmaker Rodney Ascher, director of "The S from Hell", Room 237, The Nightmare, and "Primal Screen" James Hillman, The Dream and the Underworld The Duffer Brothers (directors), Stranger Things (web TV series) Alan Landsburg (creator), In Search Of... with Leonard Nimoy (American TV series) Errol Morris (director), The Thin Blue Line Ann and Jeff Vandermeer (editors), The Weird: A Compend

M. R. James' "The Mezzotint" is one of the most fascinating, and most chilling, examples of the classic ghost story. In this episode, Phil and JF discover what this tale of haunted images and buried secrets tells us about the reality of ideas, the singularity of events, the virtual power of the symbol, and the enduring magic of the art object in the age of mechanical reproduction. To accompany this episode, Phil recorded a full reading of the story. Listen to it here. REFERENCES M.R. James, "The Mezzotint" Robert Aickman, English author of "strange stories" Edgar Allan Poe, "The Oval Portrait" Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" Marshall McLuhan, The Book of Probes Clement Greenberg, American art critic J.F. Martel, Reclaiming Art in the Age of Artifice Marcel Duchamps, Fountain Henri Bergson, Laughter John Cage, American composer David Lynch (director), Twin Peaks: The Return Gilles Deleuze, Difference and Repetition Vilhelm Hammershøi, Danish painter Sig

M. R. James has been hailed as the unrivalled maser of the classic ghost tale, and his powers are at their zenith in "The Mezzotint," a story that first appeared in his 1904 collection, Ghost Stories of an Antiquary. In it, James reimagines the Gothic trope of the haunted picture in a weird new light. The text, read here by co-host Phil Ford, serves as a springboard for Weird Studies episode 11, where we discuss the enduring power of the art object in the age of mechanical reproduction. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1977, Philip K. Dick read an essay in France entitled, "If You Find this World Bad, You Should See Some of the Others." In it, he laid out one of the dominant tropes of his fictional oeuvre, the idea of parallel universes. It became clear in the course of the lecture that Dick didn't intend this to be a talk about science fiction, but about real life - indeed, about his life. In this episode, Phil and JF seriously consider the speculations which, depending on whom you ask, make PKD either a genius or a madman. This distinction may not matter in the end. As Dick himself wrote in his 8,000-page Exegesis: "The madman speaks the moral of the piece." REFERENCES Philip K. Dick, excerpts from “If You Find This World Bad You Should See Some Of The Others” R. Crumb, The Religious Experience of Philip K. Dick Emmanuel Carrère, I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick “20 Examples of the Mandela Effect That’ll Make You Believe You’re In A Parallel Universe” Philip K. Dick, The Man

The plan was to discuss the introduction to Aleister Crowley's classic work, Magick in Theory and Practice (1924), a powerful text on the nature and purpose of magical practice. JF and Phil stick to the plan for the first part of the show, and then veer off into a dialogue on the basic idea of magic. Along the way, they share some of the intriguing results of their own occult experiments. REFERENCES Photo of JF's "large sum" cheque Aleister Crowley, Magick in Theory and Practice The Gospel According to Thomas James George Frazer, The Golden Bough: A Study in Magic and Religion Erik Davis, "Weird Shit" I Ching, The Book of Changes Joshua Gunn, Modern Occult Rhetoric: Mass Media and the Drama of Secrecy in the Twentieth Century The Book of the Sacred Magic of Abramelin the Mage The Shackleton Expedition Grant Morrison on how to do sigil magic Alan Chapman, Advanced Magick for Beginners David Hume, A Treatise of Human Nature David Hume, An Enquiry Concerning the Human Understanding Joshua Ramey, "Conti

JF and Phil discuss Graham Harman's "The Third Table," a short and accessible introduction to "object-oriented ontology." Phil takes us on a tour of his closet, we discover that JF's kids are better at this weird studies stuff than their old man, and the conversation veers through Harman's Lovecraftian "weird realism," Zen's "just sit" meditation, panpsychism, Martin Buber's I and Thou, experimental filmmaking, and more. WORKS AND IDEAS CITED IN THIS EPISODE Graham Harman, "The Third Table" Graham Harman, Tool-Being: Heidegger and the Metaphysics of Objects Martin Heidegger, Being in Time J. F. Martel, "Ramble on the Real" Graham Harman, Weird Realism: Lovecraft and Philosophy H. P. Lovecraft, "The Call of Cthulhu" Arthur Stanley Eddington, The Nature of the Physical World Graham Harman, "Objects and the Arts" (lecture) Bernardo Kastrup, Why Materialism is Baloney Daniel Dennett, Consciousness Explained Walden, A Game – A computer game based on Heny David Thoreau’s classic work, Walden South Park, “Guita

For as long as they've been pounding the crap out of each other for good reasons, humans have also been pounding the crap out of each other for fun. Everywhere, in ever age, elaborate systems, rituals, and traditions have arisen to ring in the practice of violence and thereby offer the rough beast that lurks in every soul a chance to come out for a stretch in the sun. In this episode, Phil and JF delve into one of the most scandalous affairs of all: the illicit dalliance of Aphrodite and Ares, beauty and violence. WORKS & IDEAS DISCUSSED IN THIS EPISODE: Ernest Hemingway, Death in the Afternoon James Hillman, A Terrible Love of War Homer, The Odyssey Joyce Carol Oates, On Boxing La fosse aux tigres (documentary directed by Jason Brennan and JF Martel; Nish Media) Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction Richard Strauss's opera Salome Gur Hirshberg, "Burke, Kant, and the Sublime" Gilles Deleuze, The Logic of Sense Learn more about your ad choices. Visit podcastchoices.

The Dutch historian Johan Huizinga was one of the first thinkers to define games as exercises in world-making. Every game, he wrote, occurs within a magic circle where the rules of ordinary life are suspended and new laws come into play. No game illustrates this better than Gary Gygax's tabletop RPG, Dungeons & Dragons. In this episode, Phil and JF use D&D as the focus of a conversation about the weird interdependence of reality and fantasy. Header image: Gaetan Bahl (Wikimedia Commons) WORKS CITED OR DISCUSSED IN THIS EPISODE Official homepage of the Dungeons & Dragons roleplaying game Critical Role web series   Another RPG podcast JF failed to mention: The HowWeRoll Podcast Demetrious Johnson’s Twitch site Game Over: Kasparov and the Machine (documentary)   Chessboxing!   Jackson Lears, Something for Nothing: Luck in America   Peter Fischli, The Way Things Go   Jon Cogburn and Mark Silcox, Dungeons & Dragons and Philosophy: Raiding the Temple of Wisdom   Lawrence Schick, ed., Deities & Demi

Phil and JF discuss Lisa Ruddick's "When Nothing is Cool," an essay on the postmodern humanities and its allergy to essences -- especially that personal essence we call soul. Maybe the soul is a heap of miscellaneous notions and influences that I paint a face onto and then call "me." Or maybe there is something under that painted effigy of the self. If so, what? And if there's nothing under there, could it be a nothing that delivers? WORKS DISCUSSED IN THIS EPISODE Lisa Ruddick, "When Nothing is Cool" Elizabeth Gilbert, "Your Elusive Creative Genius" Judith Halberstam, "Skinflick: Posthuman Gender in Jonathan Demme's The Silence of the Lambs" Daniel Chua (the musicologist whose name Phil couldn't remember) Brett Easton Ellis, American Psycho Mary Harron, American Psycho (film) David Lynch, Twin Peaks: The Return Learn more about your ad choices. Visit podcastchoices.com/adchoices

Scholar, journalist and author Erik Davis joins Phil and JF for a freewheeling conversation on the permutations of the weird, Burning Man, speculative realism, the uncanny, the H. P. Lovecraft/Philip K. Dick syzygy, and how the world has gotten weirder (and less weird) since Erik’s groundbreaking Techgnosis was published twenty years ago. WORKS DISCUSSED IN THIS EPISODE: Erik Davis’s Techgnosis website Erik Davis's podcast, Expanding Mind Erik Davis, Techgnosis: Myth, Magic, and Mysticism in the Age of Information Erik Davis, Nomad Codes: Adventures in Modern Esoterica Erik Davis, Led Zeppelin IV Mark Fisher, The Weird and the Eerie Philip K. Dick, Exegesis Goop Magazine, no. 2 Hakim Bey and the Temporary Autonomous Zone The Burning Man Festival Ian Hacking, The Taming of Chance Erik Davis, “Weird Shit” JF Martel, “How Symbols Matter” Henri Bergson, Introduction to Metaphysics Charles Baudelaire, “Correspondances” from Fleurs du mal Sigmund Freud, “The Uncanny”

JF and Phil delve deep into Arthur Machen's fin-de-siècle masterpiece, "The White People," for insight into the nature of ecstasy, the psychology of fairies, the meaning of sin, and the challenge of living without a moral horizon. WORKS CITED OR DISCUSSED Arthur Machen, "The White People" - full text or Weird Stories audiobook read by Phil Ford Arthur Machen, Hieroglyphics: A Note Upon Ecstasy H. P. Lovecraft, "Supernatural Horror in Literature" J.F. Martel, Reclaiming Art in the Age of Artifice Susanna Clarke, Jonathan Strange and Mr. Norrell Jack Sullivan (ed)., The Penguin Encyclopedia of Horror and the Supernatural John Keel, The Mothman Prophecies: A True Story Patrick Harpur, Daimonic Reality Jacques Vallee, Passport to Magonia: From Folklore to Flying Saucers Louis Pauwels and Jacques Bergier, The Morning of the Magicians Michael Foucault, Discipline and Punish: The Birth of the Prison J.K. Huysmans, Against Nature (À rebours) Learn more about your ad choices. Visit po

Weird Stories is a series of readings for Weird Studies listeners who want to dig deeper into the themes and ideas discussed on the Weird Studies podcast. In his seminal essay "Supernatural Horror in Literature," H. P. Lovecraft named Arthur Machen one of the four "modern masters" of horror fiction, alongside Lord Dunsany, Algernon Blackwood, and M. R. James. Born in 1863, Machen burst onto the London literary scene in 1890 with the controversial novella "The Great God Pan." He was briefly considered one of the luminaries of the Decadent movement before falling into obscurity and experiencing a literary rebirth toward the end of his life. In this Weird Stories installment, Phil Ford reads the complete text of one of Machen's most famous works, "The White People" (1904). Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phil and JF use a word from the Twin Peaks mythos, "garmonbozia," to try to understand what it was that the detonation of atomic bomb brought into the world. We use the fictional world of Twin Peaks as a map to the (so-called) real world and take Philip K. Dick, Krzysztof Penderecki, Norman Mailer, William S. Burroughs, Theodor Adorno, and H.P. Lovecraft as our landmarks. Warning: some spoilers of Twin Peaks season 3. Works Cited or Discussed: Phil Ford, "The Cold War Never Ended", Dial M for Musicology (1) (2) (3) (4) Twin Peaks: The Return — Official Site Philip K. Dick, “The Empire Never Ended,” treated in R. Crumb’s “The Religious Experience of Philip K. Dick” and the “Tractate” from Dick’s Exegesis: http://www.tekgnostics.com/PDK.HTM Norman Mailer, “The White Negro” Ray Brassier, Nihil Unbound: Enlightenment and Extinction J.R.R. Tolkien, The Silmarillion Arthur Machen, The White People Robert Oppenheimer, “I am become death” C.G. Jung, Synchronicity: An Acausal Connecting Pr

Phil and J.F. share stories of sleep paralysis and talk about Charles Fort's sympathy for the damned, Jeff Kripal's phenomenological approach to Fortean weirdness, Dave Hickey's notion of beauty as democracy, and Timothy Morton's hyperobjects. Learn more about your ad choices. Visit podcastchoices.com/adchoices