The Essay

"My lady's corselet" was developed by a pioneer of free verse on the frontlines of feminism, the poet Mina Loy. Celebrated in the 1910s as the quintessential New Woman, her love of freedom was shadowed by a darker quest to perfect the female body, as her unusual designs for a figure-correcting corset show. Sophie Oliver asks how she fits into a history of body-correcting garments and cosmetic surgery, feminism and fashion. Working on both sides of the Atlantic writing poetry and designing bonkers body-altering garments: like a bracelet for office workers with a built-in ink blotter, or her ‘corselet’ to correct curvature of the spine in women - in the end Mina Loy couldn’t stop time, and her late-life poetry is full of old clothes and outcast people from the Bowery, as she reckons with – and celebrates – the fact that she has become unfashionable. Producer: Torquil MacLeodImage: Mina Loy, Designs for a ‘corselet’, or ‘armour for the body’, c.1941. Mina Loy papers, Yale Collection of American Literature,