Weird Studies

In this episode of Weird Studies, an improvised analysis of two pop songs -- Nina Simone's version of James Shelton's "Lilac Wine" and Ghostface Killah's visionary "Underwater" -- becomes the occasion for a deep dive to the weird wellspring of artistic creation. In trying to understand these songs and why they love them so much, your hosts touch on themes such as necromancy, decadence, liebestod, visionary experience, the Muslim image of paradise, the necessity of rifts, Norman Mailer's concept of "dream life," and the magical operation that is sampling. Header image: Boris Kasimov, Wikimedia Commons REFERENCES James Shelton, "Lilac Wine" Nina Simone, "Lilac Wine" from the album WIld is the Wind (1966) Ghostface Killah, "Underwater, from the album Fishscale (2006) MF Doom, "Orange Blossoms," from the album Special Herbs, Volume 4, 5 & 6 Richard Strauss, [Salome](https://en.wikipedia.org/wiki/Salome(opera))_ Weird Studies, episode 25: David Cronenberg's Naked Lunch C. G. Jung's practice of active imag