New Books In French Studies

When you imagine the late-nineteenth and early-twentieth century, what colors do you see? Whatever comes to mind, Laura Kalba’s, Color in the Age of Impressionism: Commerce, Technology, and Art (Penn State University Press, 2018) will change the way you think about the contents, forms, and significance of the palette of this critical moment in the history of modernity. Examining the impact of emergent color technologies on French visual culture and landscapes, Color in the Age of Impressionism includes, but moves beyond, a discussion of the works and colors of Impressionist artists to consider color theory, dye manufacture, flower cultivation and gardening culture, fireworks, chromolithographic reproduction and collecting, autochromes and neo-Impressionism. Along the way, this is a history of aesthetics, art, fashion, technical innovation, and the modern markets of hue, tone, contrast, harmony, and shade during the “color revolution” of the decades Kalba explores. Approaching the history of color in the perio