New Books In French Studies

"Why write the biography of a nobody?" That is the question with which Melanie C. Hawthorne begins Finding the Woman Who Didn't Exist: The Curious Life of Gisele d'Estoc (University of Nebraska Press, 2014) but in justifying the writing of such a life and then, in turn, excavating its contours, Hawthorne winds up exploring a number of issues fundamental to the genre of biography. In particular, the biographer's inability fill all gaps, the frequent encounters with dead ends and his/her reliance, at times almost wholly, upon sheer luck. Also, the legacies of the biographers who have gone before us. In d'Estoc's case, as Hawthorne writes, "It is almost as though these experts avoided finding proof of d'Estoc's existence and one has to ask why." One of the significant contributions of Finding the Woman Who Didn't Exist is its transparency- Hawthorne's willingness to include in her text the details of research, alongside serious critical engagement with the notion of what it means to be a researcher in the humani