New Books In Communications

Todd Wolfson’s book, Digital Rebellion: The Birth of the Cyber Left (University of Illinois Press, 2014) examines the impact of new media and communication technologies on the spatial, strategic, and organizational fabric of social movements. Wolfson explores how aspects of the mid-1990s Zapatistas movement—network organizational structure, participatory democratic governance, and the use of communication tools as a binding agent—became essential parts of Indymedia and other Cyber Left organizations. From there he uses oral interviews and other rich ethnographic data to chart the media-based think tanks and experiments that continued the Cyber Left’s evolution through the Independent Media Center’s birth around the 1999 WTO protests in Seattle. Melding virtual and traditional ethnographic practice to explore the Cyber Left’s cultural logic, Wolfson maps the social, spatial and communicative structure of the Indymedia network and details its operations on the local, national and global level. He looks at the p

Reverse Engineering Social Media: Software, Culture, and Political Economy in New Media Capitalism (Temple University Press, 2014) by Robert Gehl (University of Utah, Department of Communication) explores the architecture and political economy of social media. Gehl analyzes the ideas of social media and software engineers, using these ideas to find contradictions and fissures beneath the surfaces of glossy sites such as Facebook, Google, and Twitter. The book draws upon software studies, science and technology studies, and political economy to contextualize the institutionalization of user labor in our growing social media landscape. Looking backward at divisions of labor and the process of user labor, he provides case studies that illustrate how binary “Like” consumer choices hide surveillance systems that rely on users to build content for site owners who make money selling user data, and that promote a culture of anxiety and immediacy over depth. Gehl also goes beyond a critique of these inherently undemo

For the past few decades a major focus has been how the Internet, and Internet associated new media, allows for greater social and political participation globally. There is no disputing that the Internet has allowed for more participation, but the medium carries an inherent elitism and the need for expertise, which may limit accessibility. According to some advocates, old media like radio offer an alternative without the limitations of new media systems. In her new book Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism (MIT Press, 2014), Christina Dunbar-Hester, an assistant professor in the School of Communication and Information at Rutgers University, explores the activist organization the Prometheus Project, and its role in advocating for greater community access to low power radio licenses. In an ethnographic examination of the medium of microradio, Dunbar-Hester examines the dichotomy of old versus new media, as well as the use of media for participatory and emancipatory poli

Wikipedia is one of the most popular resources on the web, with its massive collection of articles on an incredible number of topics. Yet, its user written and edited model makes it controversial in many circles. In Wikipedia U: Knowledge, Authority, and Liberal Education in the Digital Age (Johns Hopkins University Press, 2014), Thomas Leitch of the University of Delaware English Department has written a book that challenges many of the criticisms of Wikipedia. Yet he also reviewed the importance of authority as an issue with all research in the twenty first century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frank R. Baumgartner and Bryan D. Jones are the authors of The Politics of Information: Problem Definition and the Course of Public Policy in America (University of Chicago Press, 2014). Baumgartner is the Richard J. Richardson Distinguished Professor of Political Science at The University of North Carolina at Chapel Hill, Chapel Hill and Jones is the J. J. “Jake” Pickle Regents Chair in Congressional Studies and Professor of Government at the University of Texas at Austin. The Politics of Information picks up where the authors’ last book, The Politics of Attention, leaves off. They explore how information enters into the policy process and how that has evolved over time, focusing on what they call the “paradox of search”. They make extensive use of the publicly available data that they have collected over the last decade called the Policy Agendas Project. They argue that: “Information determines priorities, and priorities determine action” (p. 40). They discover is that the policy process is replete with in

To understand contemporary politics we must understand how it is represented in fiction. This is the main argument in A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It (Bloomsbury Academic, 2014) a new book by Steven Fielding, Professor of Politics at the University of Nottingham. The book explores how British politics has been represented in fiction from the late Victorian era through to the present. The book identifies a fascinating set of core themes, including how the political class has been defended and attacked, how the idea of populism has developed over time, along with the changing role of women in British political fiction. A State of Play does not over-claim, stressing that although an understanding of fiction is essential to understanding politics, we still don’t know the exact relationship between people’s political participation and political fiction. However, it does make a convincing case that any understanding of the British political sys

Johanna Drucker‘s marvelous new book gives us a language with which to talk about visual epistemology.Graphesis: Visual Forms of Knowledge Production (Harvard University Press, 2014) simultaneously introduces the nature and function of information graphics, awakens readers to the visual interfaces prevalent in our daily work, and considers how paying careful attention to visual interpretation can serve a broader humanistic agenda. Drucker urges us to think of graphic forms of knowledge not as mere presentation, but as interpretation, as “arguments made in graphical form.” Here, images are not necessarily fixed displays of information:Drucker suggests a way to think about images as producers of knowledge. Once we understand and approach a graphic display as a generative technology, it opens up some fascinating ways of imagining the future of the book, of reading, and of composition. As a thoughtfully and beautifully produced volume, Graphesisalso challenges our visual and material expectations for a book-as-ob

It is a cliche to suggest we are what we read, but it is also an important insight. In The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century (Palgrave-MacMillan, 2014), Beth Driscoll, from University of Melbourne, extends and critiques the work of Pierre Bourdieu to account for modern literary tastes and the literary field in which those tastes are embedded. The book attempts to explore and defend the idea of the middlebrow in literature. ‘Middlebrow’ is defined by eight characteristics, whereby it is middle class, it has reverence to elite cultures, and it is entrepreneurial, mediated, feminized, emotional, recreational and earnest. In the main it is situated within the tension between the aesthetic and the commercial. The book uses four case studies to explore how this tension, along with the idea of the middlebrow, plays out. In the first case study the role of Oprah Winfrey as a tastemaker and cultural intermediary is explored as part of an analysis of book clubs. The analysis s

The media system in the United States could have developed into something very different than what it is today. In fact, there was an era in which significant media reform was considered. This was a time when media consumers were tired of constant advertising, bias, and control by corporate entities, and instead wanted more “public-oriented” content. Sound at all familiar? In his new book, America’s Battle for Media Democracy: The Triumph of Corporate Libertarianism and the Future of Media Reform (Cambridge University Press, 2014), Victor Pickard, an assistant professor of communication at the Annenberg School for Communication at the University of Pennsylvania, examines the debates on media reform and policy from the early 20th century, focusing, in particular, on radio. Pickard revisits the significant media policy conflicts to analyze why the American media is the way it is, and how it could have been. In so doing, he considers what the current American media system means for the Web and other new media.

Bridget Conor’s new book, Screenwriting: Creative Labor and Professional Practice (Routledge, 2014), looks closely at the creative practice and profession of screenwriting for film and television in the US and UK.  Situated within the critical media production studies paradigm, Screenwriting analyzes the history, current industrial practices, identities, and cultural milieu that surround this form of creative labor. Conor examines the professional myths that are often associated with screenwriting by looking back at its history during Hollywood’s golden age, beginning with the groundbreaking work of sociologist Hortense Powdermaker. Then, utilizing theoretical frameworks developed by luminaries of media production studies such as Angela McRobbie, John T. Caldwell, and David Hesmondhalgh, Conor outlines the contemporary labor scene for screenwriters. Through in-depth interviews with professional screenwriters, Conor underscores some of the commercial and creative tensions in the industry that often challenge

It’s been 100 years since the start of the First World War, a conflict that cost millions of lives. In his recently revised book, Propaganda and the Ethics of Persuasion (2013), Randal Marlin writes that Britain pioneered propaganda techniques to sell that war that have been imitated ever since. He tells how the British spread a false story about Germans boiling the bodies of their dead soldiers in corpse factories. It was designed to paint Germany as a uncivilized, ghoulish nation that had to be fought. Marlin also tells how American propaganda during the First World War helped foster the modern public relations and advertising industries. Marlin, who studied with the French propaganda theorist Jacques Ellul, sees propaganda as a manipulative exercise of power and he argues that in order to defend ourselves against it, we need to recognize its methods and techniques. His revised second edition analyzes how the Bush administration used fear to persuade Americans to support the invasion of Iraq. The book tra

“This is a book that wants you to surpass and destroy it.” Eric Hayot‘s new book has the potential to transform how we teach and practice academic writing, and it invites the kind of reading and engagement that makes such a transformation possible. The Elements of Academic Style: Writing for the Humanities (Columbia University Press, 2014) is a style guide geared specifically toward academic writers in the humanities, paying special attention to the field of literary and cultural theory but applying equally well across humanistic disciplines. At turns funny, moving, and brilliant – not always qualities we associate with writing style guides – Hayot’s book treats writing as a process that encompasses “behavioral, emotional, & institutional parameters.” The first section of the book treats writing as a form of life, addressing the contexts and habits of the writer and the institutional contexts in which we teach and write. It also offers some strategies for getting writing done in the course of the typically c

Failure by government agencies to share information has had disastrous results globally. From the inability to prevent terrorist attacks, like the 9-11 attacks in New York City, Washington D.C., and Pennsylvania, to the ill-equipped and ill-fated responses to disasters like the nuclear meltdown at Fukushima, and Hurricane Katrina, a common denominator in all of these events, and those similar, was a lack of inter- and intra-government information sharing. In his new book Traversing Digital Babel: Information, E-Government, and Exchange (MIT 2014), Alon Peled, associate professor of political science at The Hebrew University of Jerusalem, conceptualizes a platform that would incentivize inter-agency information sharing. Called the Public Sector Information Exchange (PSIE), the platform would not only enable the trading of information, but also offers the valuation of information assets. In this way the PSIE creates an inter-government economic system. In detailing of the opportunities and threats to such a sys

In the early days of the Internet, optimists saw the future as highly connected, where voices from across the globe would mingle and learn from one another as never before. However, as Ethan Zuckerman argues in Rewire: Digital Cosmopolitans in the Age of Connection (Norton, 2013), just because a connection is possible does not mean disparate voices are being heard. Instead, things and not ideas have become more connected; we now live in a world where is easier to get a bottle of water from a tropical island halfway around the world than it is to get (let alone comprehend) news from that island. Zuckerman, a media scholar and activist based at MIT, suggests despite our perceived “connectedness,” the wired world is actually becoming more provincial and narrow, as we shift from professionally curated news and information, to search engines and algorithmically selected information based on previous “likes” and those of our homogeneous social circles. In other words, we are getting more and more of what we alread

What would a truly ‘social’ social media look like? This is the core question of From Corporate to Social Media: Critical Perspectives on Corporate Social Responsibility in Media and Communication Industries (Routledge, 2014), the new book by Marisol Sandoval. The text is concerned with the emergence of a seemingly open and democratic space, social media, which is in fact subject to corporate dominance and control. The book aims to provide a political economy of the social relations in which media and communications industries are embedded, to reveal the inequalities of both power and control in social media. This point is illustrated through case studies of major corporations. Sandoval takes an important theme- including net neutrality, e-waste, ideologies, and labour conditions- and compares and contrasts CSR statements and positions with the reality of corporate actions on these themes. Case studies include Google, Apple, Disney and AT&T. The book concludes by considering how social media might become more

There is no doubt that innovations in technology have had, and are having, a significant impact on society, changing the way we live, work, and play. But the changes that we are seeing are far from novel. In fact, most are a continuation of changes to society and societal structure with roots in the past. So argues Hugh F. Cline, adjunct professor of sociology and education at Teachers College, Columbia University, in his new book, Information Communication Technology and Social Transformation: A Social and Historical Perspective (Routledge, 2014). According to Cline, the technopanics, or strong objections to new technology have happened since the days of Aristotle. In spite of the objections, technological innovations can positively advance societal interests. Mixing history, sociology, anthropology, and technological studies, Cline provides context for the examination of how ICTs are impacting society. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooke Erin Duffy's Remake, Remodel: Women's Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women's magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University's School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women's magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the h

Julia Azari has written Delivering the People’s Message: The Changing Politics of the Presidential Mandate (Cornell University Press, 2014). Azari is assistant professor of political science at Marquette University. What was President Obama’s mandate when he was elected in 2008? Did that mandate extend to 2012? We commonly think that mandates attach to wide electoral margins. Azari cuts through this convention to analyze the variety of ways presidents have used the language of mandates to advocate for their policy agenda. Azari’s book fits with a book featured on the podcast in May by John Hudak. Both books link together the political and policy dimensions of the presidency. Azari discovers that presidents refer to mandates when political polarization increases and as the White House loses legitimacy. By the time President Obama was elected, these factors came together, thereby increasing the use of mandate language and the unrealistic expectations that often come with lofty promises. Learn more about your a

Social media is a phenomenon that continues to grow and attract much attention in the form of consternation, commentary, criticism and scholarly research. Any attempt at truly understanding social media communication practices and tools requires interdisciplinary analysis, the examination of the technology from the varying perspectives of the groups of users, developers and experts with respect to the issues surrounding it.  It also should include a look at the changes social media has and continues to bring to various fields, particularly with respect to professional communication. Jeremy Lipschultz, Isaacson Professor in the School of Communication at the University of Nebraska at Omaha, discusses the impact of social media on various mass communications professions in his new book Social Media Communication: Concepts, Practices, Data, Law, and Ethics (Routledge 2014). In his book, Lipschultz examines the various theories and practices connected to social media communication, and how this emerging form of c

The social and cultural historian Joe Moran, Professor of English and Cultural History at Liverpool John Moores University, UK is interested in the everyday moments between great events. In his books Queuing for Beginners: The Story of Daily Life from Breakfast to Bedtime, On Roads: A Hidden History and now Armchair Nation: An Intimate History of Britain in Front of the TV (Profile Books, 2013) he documents the mundane activities that make up our lives. In Armchair Nation Moran surveys the history of television watching in Britain from the technology’s first demonstration in a department store in 1925 and up to today. Moran’s engaging narrative progresses through major milestones in the medium’s history. To document how watching television had become a daily habit for a multitude of individuals, Moran uses an assortment of sources such as newspaper reviews, listings and interviews, diaries, and Mass Observation entries. While Moran hesitates to treat the consumption of television as an act of community build