New Books In French Studies

Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years

Paola Bertucci's Artisanal Enlightenment: Science and the Mechanical Arts in Old Regime France (Yale University Press, 2018) is an innovative new look at the role of artisans in the French Enlightenment.  As savants attempted to appropriate leadership of the mechanical arts while deriding artisans as mere laborers, some of these refashioned themselves as artistes, capable of blending craft knowledge with intellectual esprit.  Through the little studied and understood Société des Arts, these advertised their service and utility to the state and French economic and imperia expansion.  As they fought for official appointments and academic recognition, they help solidify key the Enlightenment concept of technological progress.  Through the eyes and experiences of artistes, the Enlightenment appears much less the product of intellectual breakthroughs, and instead, a reflection of the political economic strategies of artisans as they defined their role within the French empire.Lance C. Thurner r

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.Learn more about your ad choices. Visit megaphone.fm/adchoices

People sometimes forget—if they are even aware—that France’s empire in the seventeenth and eighteenth centuries included a colonial presence in South Asia, a presence that at one time rivaled that of the British. Danna Agmon’s A Colonial Affair: Commerce, Conversion, and Scandal in French India (Cornell University, 2017) zooms in on the 1716 arrest and conviction of a Tamil commercial agent and employee of the French East India Company, a legal case that resonated throughout the empire for decades, even centuries, afterward. The “Nayiniyappa Affair” at the heart of this microhistory is Agmon’s way into a complex web of interests and fractures: the aims and actions of French traders, missionaries, and administrators, as well as the roles and agency of indigenous subjects and intermediaries. Moving from colonial Pondicherry to metropolitan France and back again, A Colonial Affair focuses on a local story and context with much broader implications for how we think about the workings of imperial power, authority,

While the history of the Second World War and Jewish persecution in France has been widely studied, the return of survivors in the aftermath of deportation and genocide has not received sufficient attention. With Stealing Home: Looting, Restitution, and Reconstructing Jewish Lives in France, 1942-1947 (Oxford University Press, 2017), Shannon Fogg, Professor and Chair of the Department of History and Political Science at Missouri S&T, fills this void. Drawing from government archives, Jewish associational files, as well as victim accounts and testimonies, Fogg pulls the reader into complex and dynamic history of destruction, dispossession and recovery. She reveals the great extent to which French authorities and civilians participated in looting and spoliation. Moreover, Fogg works against the commonly accepted narrative that Jews were passive victims to destruction who silently returned to the remaining tatters of their prewar lives, arguing that survivors were active participants in the restitution proce

Following a 2011 meeting of the annual Mediterranean Workshop at the University of Minnesota, Patricia Lorcin (a co-convener) approached Todd Shepard (one of the workshop participants that year) about editing a volume focused on the Mediterranean in the modern period. From the beginning, these two editors of French Mediterraneans: Transnational and Imperial Histories (University of Nebraska Press, 2016) envisioned a collection that would bring together authors whose work pushes against the boundaries of French and European history (from outside of and within these regional fields). Analyzing the history of the Mediterranean as geographic, social, cultural, political, intellectual, and discursive space from the nineteenth century to the era of decolonization, the book offers a critical history of the region understood in its transnational and imperial complexity. The volume is organized in three parts. Focused on maps and mapping, the first includes essays by Ali Yaycioglu, Ian Coller, Andrew Arsan, and Spence

In Organic Resistance: The Struggle over Industrial Farming in Postwar France (University of North Carolina Press, 2018), Venus Bivar documents the development of agriculture in post-1944 France. Through the Second World War, France’s agriculture was comparatively backward next to those of its neighbors and geopolitical rivals. The French government undertook a major program of “modernization” to encourage the consolidation of landholdings, increases in the productivity of agricultural labor, and the application of capital-intensive technologies. In this it was successful—at least to the extent that France became one of the world’s leading exporters of agricultural goods. However, as Bivar documents, this transformation was not without considerable resistance: plenty of farmers were unable or unwilling to change, and the transformation of the French countryside generated intense debates about the nature of quality in food and agriculture, and its relationship to the people and land of France. Venus Bivar is A

Schizophrènes au XXe siècle: des effets secondaires de l’histoire [Schizophrenics in the Twentieth Century: The Side Effects of History] is a strong argument in support of the history of psychiatry “from below.” Using vast archival resources and ample patient files, Hervé Guillemain demonstrates convincingly how schizophrenia in France was a socially constructed category—one that circumscribed and further stigmatized individuals who were already marginalized and left behind in a changing political, economic, and social landscape. Guillemain follows the surprising twists and turns proffered by his sources, and in so doing, reveals to us an untold and unexpected history of those youth and young adults who tried to take “a leap forward, but failed.” While focusing primarily on France, this book nevertheless surpasses its geographic boundaries and will undoubtedly be engaging for all those interested in the schizophrenia diagnosis.Learn more about your ad choices. Visit megaphone.fm/adchoices

At the heart of Laila Amine’s book is a crucial question: where is Paris? This question may be surprising for anyone who can readily point to the French capital on a map. Geography is, after all stable, is it not? Postcolonial Paris: Fictions of Intimacy in the City of Light (University of Wisconsin Press, 2018) shows that space and place are anything but stable. Amine focuses on the literal margins of Paris, and on the literary and artistic works that are produced in or about those margins. Rather than reproduce the well-worn trope of the banlieue, the outskirts of Paris, as a tragic space whose inhabitants are unable to integrate so-called French values, Amine carefully examines the work of writers and artists who have engaged with the space and have produced pointed critiques of structural inequality and the legacy of colonialism that calls into question traditional French narratives of cultural and religious alterity. Postcolonial Paris makes the rare and much-needed move of reading across the works of No

This spring and summer, the workers of the Société nationale des chemins de fer français (SNCF) staged a series of rolling strikes, slowing and shutting down the country’s major lines of travel and transport. It wasn’t the first time that France’s cheminots (railway workers) have taken a stand, and it certainly won’t be the last. Another major strike is scheduled for early October of this year. In Ordinary Workers, Vichy and the Holocaust: French Railwaymen and the Second World War (Cambridge University Press, 2016), Ludivine Broch examines the history of railway worker resistance and collaboration during the Occupation years. The project departs from a fundamental question about the role the national railways (and their personnel) played in the Holocaust in France. The resulting book is an in-depth labour history that considers class struggle and wartime economic pressures, complicating moral questions about what the cheminots did and didn’t do to enable and/or impede persecutions, deportations, and genocide

In his speech delivered to the National Convention on 18 Floréal (May 7, 1794), Maximilien Robespierre shocked his listeners as he attacked the proponents of atheism and dechristianization in the government: “Who nominated you to tell the people that God does not exist anymore?  What do you hope to gain by persuading Man…that his soul is nothing but a puff of wind, blown away at the gates of the tomb?” He then proceeded to lay out his vision for a national moral code rooted in a belief in the Supreme Being and the immortality of the soul.  To introduce this civic religion to the people, Robespierre, with the help of Jacques-Louis David, created the Festival of the Supreme Being which would be celebrated across the whole of France. In his book, Robespierre and the Festival of the Supreme Being: The Search for a Republican Morality (Manchester University Press, 2016), Dr. Jonathan Smyth examines Robespierre’s desire to establish a national morality as the foundation for his utopian Republic of Virtue.  Drawing

Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space. Richard S. Hopkins is an Assistant Professor of History at Widener University. He teaches courses in European, urban, environmental, and gender history. His research focuses on the social and cult

What could the communism of the future be? In Now  (Semiotext(e), 2017), The Invisible Committee explores our current crisis by thinking through key critical theory questions, along with specific interventions on French and global politics. On this podcast we hear about The Invisible Committee’s history and their work, contextualizing the specific themes covered by Now. Along with theorizing on new forms of political action, Now critiques institutions, offering thoughts on fragmentation and destitution. The book will be essential reading for anyone interested in responding to the current politics.Learn more about your ad choices. Visit megaphone.fm/adchoices

What role did Christianity play in Algeria before, during, and after the war of independence? In Decolonizing Christianity: Religion and the End of Empire in France and Algeria (Cambridge University Press, 2016), Darcie Fontaine pursues this crucial question while refusing the notion of a homogeneous Christianity at any stage after the French conquest of Algeria in 1830. Emphasizing the ways religious ideas and practices were subject to change and deep contestation, the book attends to important differences—between Catholics and Protestants; between institutions and individuals; between Christianity as a tool and ideology of the settler state on the one hand, and a site of resistance to its many injustices on the other. A social history of theology that considers the interaction between religion and politics in Algeria and France, Decolonizing Christianity traces the movement of Christians, their beliefs and activisms, across the Mediterranean in both directions. While the book tracks broad shifts at the leve

Peter Sahlins’s 1668: The Year of the Animal in France (Zone Books, 2017) is a captivating look at the role of animals in court and salon culture in the first decades of Louis XIV’s reign in France.  Focusing on the years in and around 1668, Sahlins shows how deeply the king, the court, and the anatomists, artists and writers around it thought with and through animals as Louis XIV redefined royal authority along the lines of absolutism.  Through brilliant analyses of the Royal Menagerie and artistic and scientific studies of domestic and exotic fauna, Sahlins demonstrates how absolutism constituted a radical shift in worldview, not only regarding human animals, but the natural world as well.Learn more about your ad choices. Visit megaphone.fm/adchoices

When you imagine the late-nineteenth and early-twentieth century, what colors do you see? Whatever comes to mind, Laura Kalba’s, Color in the Age of Impressionism: Commerce, Technology, and Art (Penn State University Press, 2018) will change the way you think about the contents, forms, and significance of the palette of this critical moment in the history of modernity. Examining the impact of emergent color technologies on French visual culture and landscapes, Color in the Age of Impressionism includes, but moves beyond, a discussion of the works and colors of Impressionist artists to consider color theory, dye manufacture, flower cultivation and gardening culture, fireworks, chromolithographic reproduction and collecting, autochromes and neo-Impressionism. Along the way, this is a history of aesthetics, art, fashion, technical innovation, and the modern markets of hue, tone, contrast, harmony, and shade during the “color revolution” of the decades Kalba explores. Approaching the history of color in the perio

“Is Theory Good for the Jews?” asks author Bruno Chaouat, professor of French at the University of Minnesota, in Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism (Liverpool University Press, 2017) . The title carries a measure of Chaouat’s characteristically ironic, self-deprecatory, yet polemical tone. So, Chaouat wonders, in both winking reference to the anti-Semitic trope of Jewish tribalism and self-involvement, and at the same time in all sincerity, whether “Theory” – in particular the canon of philosophy, literature, and social thought that grew largely out of Heideggerian roots and which continues to find contemporary purchase – is able to use its own tools to deal with today’s resurgent strains of anti-Semitism. In this episode, Chaouat discusses several recent events in French letters, including the 2010 publication of writer, diplomat and French Resistance fighter Stéphane Hessel’s manifesto Time for Outrage and novelist Salim Bachi’s literary op-ed, “Moi, Moham

Yoav Di-Capua‘s new book, No Exit: Arab Existentialism, Jean-Paul Sartre and Decolonization (University of Chicago Press, 2018) is narrative intellectual history at its best: a tale of friendship and betrayal, of missed connections and surprising syntheses, of unfinished revolutions, Oedipal revolts, and angst-ridden meditations on the meaning of freedom. Di-Capua’s story begins in May of 1944 with a six-hour dissertation defense heard around the Arab world, in which ‘Abd al-Rahman Badawi demonstrated the compatibility of Heideggerian phenomenology and Sufism. The subsequent chapters of No Exit offer a tour of existentialist hotbeds across the Middle East, ending with a detailed account of Sartre, Simone de Beauvoir, and Claude Lanzmann’s visit to the region on the eve of the 1967 war. At each juncture, Di-Capua offers a lucid analysis of how the Arab intelligentsia struggled with a set of intertwined questions about decolonization: What does it take to “secure the physical liber

In Foucault on Painting (University of Minnesota Press, 2017), Catherine Soussloff discusses an area of Foucault’s development that has remained largely overlooked: his engagement with painting.  Indeed Foucault, we learn, described himself as a painter.  Throughout his career, he examined painting and the image as he pursued critical elements of his philosophical ideas. Soussloff examines Foucault’s engagement with periods in European art history that captured his attention in particular: the Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting of the 1960s and 1970s. The book also considers Foucault’s interest in five artists: Velázquez, Manet, Magritte, Rebeyrolle, and Fromanger. Soussloff’s study reveals the importance of art in Foucault’s philosophy, and affirms the relevancy of Foucault in consideration of the role of the image in the twenty first Century Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently is an Assistant P

In her book, The Fruits of Freedom in British Togoland: Literacy, Politics and Nationalism, 1914-2014 (Cambridge University Press, 2015), Kate Skinner examines the history behind the failed project that sought the reunification of Togoland. At the end of the nineteenth century, the Germans colonized the small territory of Togo in West Africa. During the first world war, the British and French invaded Togo and split it between them, introducing a new border that was criticized by the African inhabitants. After the second world war, in the era of decolonization, different visions of independence were put forward. One of these was ABLODE – meaning the reunification and joint independence of British and French Togoland.  But the Ablode movement was defeated, and instead British Togoland was integrated with the Gold Coast, and became an integral part of an independent Ghana. The Fruits of Freedom tells the story of ABLODE.’ Kate Skinner is a lecturer in the History of Africa and Its Diasporas at the Univers