New Books In Journalism

Sharon Marcus’s new book, The Drama of Celebrity (Princeton UP, 2020), sets out to help us understand celebrity culture and how it has shifted and evolved since its contemporary inception in the early 1800s. Marcus highlights the celebrity concept throughout western history, indicating some of the same dynamics at work in classical Greece that we see in our current popular culture landscape. This culture has three components that are generally all present in some form: the celebrities themselves, who may achieve that role through some form of performance or other attention-generating experience or event, a media of some kind (radio, newspaper, magazines, social media) that focuses attention on individual celebrities, and the fans or citizens who engage with the celebrities. Marcus delineates this “three-legged stool” of celebrity culture and notes that while aspects of it have changed over the years—especially the form of media—the structure and foundation continues to operate as an interactive ecosystem. Mar

Bombastic headlines about science and technology are nothing new. To cut through the constant stream of information and misinformation on social media, or grab the attention of investors, or convince governments to take notice, strident headlines or bold claims seem necessary to give complex, nuanced information some wow factor. But hype has a dark side, too. It can mislead. It can distract. It can blinker us from seeing what is actually going on. From AI, quantum computing and brain implants, to cancer drugs, future foods and fusion energy, science and technology journalist Gemma Milne reveals hype to be responsible for fundamentally misdirecting or even derailing crucial progress. Hype can be combated and discounted, though, if you're able to see exactly where, how and why it is being deployed. Smoke and Mirrors: How Hype Obscures the Future and How to See Past It (Robinson, 2021) is your guide to doing just that. Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court Universi

Listen to this interview of Elisa De Ranieri, Editor-in-Chief of Nature Communications. We talk about knowing the research you have done, but communicating the message you want said. Interviewer: "When a submission lands on your desk, or better said, you call it up on your screen, what are you pleased to see, what makes your work easier?" Elisa De Ranieri: "Yeah, well, I guess what makes the job easier for an editor is to receive a paper that is well-written and well-constructed and where the authors are so experienced that they know how to pitch their story. It's nice because it, obviously, spares the editor the trouble of having to unpick what's being said. You know, there are papers where––I'm not saying that they're badly written––but they are so dense because it's not a story, it's a dump of facts, so that you have to start unpicking the facts until you've made your own version of the story that the authors are trying to tell, and only then can you assess that story based on your criteria." Daniel Shea,

Harvey Araton’s new book Our Last Season: A Writer, a Fan, a Friendship (Penguin, 2020), reads like a mix between Tuesdays with Morrie and a sequel to his book When the Garden was Eden (which chronicled the New York Knicks’ early-70s title teams). It’s a book about friendship, aging and of course, basketball. Harvey Araton is one of New York's--and the nation's--best-known sports journalists, having covered thousands of Knicks games over the course of a long and distinguished career. But the person at the heart of Our Last Season, Michelle Musler, is largely anonymous--except, that is, to the players, coaches, and writers who have passed through Madison Square Garden, where she held season tickets behind the Knicks bench for 45 years. In that time, as she juggled a successful career as a corporate executive and single parenthood of five children, she missed only a handful of home games. The Garden was her second home--and the place where an extraordinary friendship between fan and sportswriter was forged. Tha

Social media has become a crucial avenue for political discourse in Southeast Asia, given its potential as a “liberation technology” in both democratising and authoritarian states. Yet the growing decline in internet freedom and increasingly repressive and manipulative use of social media tools by governments means that social media is now an essential platform for control. “Disinformation” and “fake news” production is growing rapidly, and national governments are creating laws which attempt to address this trend, but often only exacerbate the situation of state control. In this episode, Dr Aim Sinpeng and Dr Ross Tapsell discuss their new book, From Grassroots Activism to Disinformation: Social Media in Southeast Asia (ISEAS Publishing, 2020), with Dr Thushara Dibley, and explore some of the more recent controversies surrounding social media use in Southeast Asia. Aim Sinpeng is a Senior Lecturer in Comparative Politics at the University of Sydney. Her research interests centre on the relationships between

While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers

Surfers are the ultimate bad boys, living the counter-culture life of decadence and hedonism as they travel the world in search of the perfect wave, partying hard along the way. So, it’s not surprising that these social misfits and dropouts created a sub-culture tied to drugs. While most might associate surfing Jeff Spicoli with smoking marijuana in Fast Times at Ridgemont High or hippies dropping acid in late 1960s Hawai’i, Chas Smith argues that cocaine and surfing are much more intertwined. Actually, it’s not so much surfing as the “surf industry”, the fashion industry’s big money marketing of the surfing lifestyle. In this exploration of the commodification of counter-culture, Chas Smith illustrates the lines from The Clash song: “They think it’s funny, turning rebellion into money”. But like a coke binge, the surf industry has come crashing down and once massive international corporations have gone bankrupt. More gonzo journalism than academic history, Cocaine + Surfing: A Sordid History of Surfing’s Gre

Michael Stamm’s book Dead Tree Media: Manufacturing the Newspaper in Twentieth-Century North America (Johns Hopkins UP, 2018) begins with the simple but thought-provoking premise that, not too long ago, newspapers were almost exclusively physical objects made out of paper. This meant that producing a newspaper implied industrial production, mills, and a distribution system that could deliver daily-produced issues to individual consumers. But most of all, it meant trees. Lots and lots of trees. Newspapers acquired timber lands, chopped down trees, and managed international supply chains. A simple premise then opens up an entire world of industrial processes that might appear distant from us denizens of the digital age. In this highly innovative work of media history, Stamm, a Professor of history at Michigan State University, pulls readers into that world, guiding them through newspaper boardrooms in big American cities, lumber camps and company towns across Canada, and laboratories that were experimenting wit

"Few freedoms in the United States are as cherished as freedom of the press." So begins Chapter One of Democracy Without Journalism?: Confronting the Misinformation Society (Oxford University Press, 2020). The book by Victor Pickard, Professor of Media Policy and Political Economy at the Annenberg School for Communication makes it clear, however, that mainstream American news media are not really free at all, but have been pressed into service over more than a century to generate profits for a few rich owners bent on selling eyeballs and ears to advertisers. Dr. Pickard points out that this system of "toxic commercialism” is in crisis as advertisers flee to cheaper social media outfits like Facebook. In this NBN interview, he says the old TV news adage, "If it bleeds it leads," has been supplemented by a new one, "If it's outrageous, it's contagious" as internet platforms profit from misinformation and even outright lies that engage (and enrage) their readers and keep them coming back for more. Democracy With

Louis Austin and the Carolina Times: A Life in the Long Black Freedom Struggle (University of North Carolina Press, 2018) by Jerry Gershenhorn is a history of the struggle for Black equality in North Carolina from 1927 to 1971 as told through the life and activism of Black newspaperman Louis Austin. Austin, as editor of the Carolina Times, was involved in nearly every facet of the long Black freedom struggle in North Carolina. He was an outspoken editor and a staunch social justice advocate who championed Black voter’s rights, school desegregation, and economic equality for nearly fifty years. Gershenhorn utilizes the phrase “long black freedom struggle” instead of the customary “long civil rights movement” in his narrative noting that in the 1930s and 1940s many of the customary characteristics of the Civil Rights Movement had not matured at this time in North Carolina and that during this time “mass direct action was the exception not the norm” (3). This text contains an “Introduction” section, seven concis

Nature is the premier weekly journal of science, the journal where specialists go to read and publish primary research in their fields. But Nature is also a science magazine, a combination unusual in journal publishing because in an issue of Nature, research stands side by side with editorials, news and feature reporting, and opinion articles. In fact, over two-thirds of the pieces Nature publishes are journalism and opinion content. This is the remit of Helen Pearson. Helen Pearson is Chief Magazine Editor of Nature. After her PhD, Helen wanted a "broader view" of science, and so she chose science journalism. Helen has written award-winning journalism, and she is the author of The Life Project, voted 2016's best science book by The Observer and a best book of the year by The Economist. Today, Helen can look back on a distinguished career at Nature, where she continues to make a significant contribution to conversations around and in the scientific communities Nature aims to reach. Scholarly Communications is

In his compelling evaluation of Cold War popular culture, Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines (Cambridge UP, 2020), Gregory Daddis explores how men's adventure magazines helped shape the attitudes of young, working-class Americans, the same men who fought and served in the long and bitter war in Vietnam. The 'macho pulps' - boasting titles like Man's Conquest, Battle Cry, and Adventure Life - portrayed men courageously defeating their enemies in battle, while women were reduced to sexual objects, either trivialized as erotic trophies or depicted as sexualized villains using their bodies to prey on unsuspecting, innocent men. The result was the crafting and dissemination of a particular version of martial masculinity that helped establish GIs' expectations and perceptions of war in Vietnam. By examining the role that popular culture can play in normalizing wartime sexual violence and challenging readers to consider how American society should move beyond pulp conceptions of 'norm

Selling Antislavery: Abolition and Mass Media in Antebellum America (University of Pennsylvania Press) is a richly illustrated history of the American Anti-Slavery Society and its print, material, and visual artifacts. Beginning with its establishment in the early 1830s, the American Anti-Slavery Society (AASS) recognized the need to reach and consolidate a diverse and increasingly segmented audience. To do so, it produced a wide array of print, material, and visual media: almanacs and slave narratives, pincushions and gift books, broadsides and panoramas. Building on the distinctive practices of British antislavery and evangelical reform movements, the AASS utilized innovative business strategies to market its productions and developed a centralized distribution system to circulate them widely. In Selling Antislavery, Teresa A. Goddu shows how the AASS operated at the forefront of a new culture industry and, by framing its media as cultural commodities, made antislavery sentiments an integral part of an emer

When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized “indisputable evidence” of the news. In News Parade: The American Newsreel and the World as Spectacle (University of Minnesota Press), Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel’s methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel’s place in the history of twentieth-century American culture and film history. Joseph Clark is lecturer in the School for the Contemporary Arts at Simon Fraser University. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I speak with fellow New Books in Education host, Jonathan Haber, about his book, Critical Thinking (The MIT Press, 2020). This book explains the widely-discussed but often ill-defined concept of critical thinking, including its history and role in a democratic society. We discuss the important role critical thinking plays in making decisions and communicating our ideas to others as well as the most effective ways teachers can help their students become critical thinkers. Haber oversees the projects, Critical Voter, LogicCheck, and Degree of Freedom, and can be reached at jonathan@degreeoffreedom.org. His recommended resources included the following: Thank You for Arguing, Fourth Edition: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion by Jay Heinrichs (Broadway Books, 2020) Think Again I: How to Understand Arguments Critical Thinker Academy The Dream of Reason: A History of Western Philosophy from the Greeks to the Renaissance by Anthony Gottlieb (W.

How are algorithms changing journalism? In Metrics at Work: Journalism and the Contested Meaning of Algorithms (Princeton University Press), Angèle Christin, an assistant professor in the Department of Communication at Stanford University, explores the impact of metrics and analytics on the newsrooms of New York and Paris. Using an ethnography of two organisations, the book demonstrates the complexity, ambivalence, and difference in the use of metrics to make editorial and journalistic judgements. Covering a vast range of issues, from the history of journalism, through methods of managing organisations, to careers and pay, the book gives important insights into the current, and future, practices of our news organisations. As a result, the book is essential reading for social science and humanities scholars, as well as for anyone interested in how we get the news we have today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite her nearly two decades as the publisher of the largest newspaper in a politically pivotal state, the role of Nackey Scripps Loeb in American political and media history has been unjustly forgotten. In Political Godmother: Nackey Scripps Loeb and the Newspaper That Shook the Republican Party (Potomac Books, 2020), Meg Heckman describes the ways in which she shaped both journalism in New Hampshire and presidential politics in America. An heiress to the Scripps publishing empire, Nackey enjoyed a childhood that was privileged yet unorthodox After a first marriage ended acrimoniously, she married William Loeb, the right-wing publisher of the Manchester Union-Leader, and together they ran the newspaper from their ranch in Nevada. After the twin tragedies of a crippling car accident and the death of her husband from cancer, Nackey took over the newspaper and maintained both its independence and its stridently conservative voice. As Heckman explains, the newspaper’s location in the state hosting the nation’s

What do medieval knights, suicide bombers and "victimhood culture" have in common? Betraying Dignity: The Toxic Seduction of Social Media, Shaming, and Radicalization (Fairleigh Dickinson University Press) argues that in the second decade of the twenty-first century, individuals, political parties and nations around the world are abandoning the dignity-based culture we established in the aftermath of two world wars, less than a century ago. Disappointed or intimidated, many turn their backs on the humanitarian, universalistic culture that presumes our inherent human dignity and celebrates it as the basis of every individual's equal human rights. Instead, people and nations are returning to a much older, honor-based cultural structure. Because its ancient logic and mentality take new forms (such as social network shaming and certain aspects of "victimhood culture") -- we fail to recognize them, and overlook the pitfalls of the old honor-based structure. Narrating the history of honor-based societies, this book

In the midst of the COVID-19 pandemic, we’re hearing an awful lot about the fraught relationship between science and media. In his book, News from Mars: Mass Media and the Forging of a New Astronomy, 1860-1910 (University of Pittsburgh Press, 2019), historian of science Joshua Nall shows us that a blurry boundary between science and journalism was a key feature—not a bug—of the emergence of modern astronomy. Focusing on objects and media, such as newspapers, encyclopedias, cigarette cards, and globes, Nall offers a history of how astronomers’ cultivation of a mass public shaped their discipline as it managed controversies over the possibility of canals on Mars, and even interplanetary communication. This book is strongly recommended for historians of science and communication, as well as those with an eye for material culture. Joshua Nall is curator of modern sciences at the Whipple Museum of the History of Science in the Department of the History and Philosophy of Science at the University of Cambridge. Mike

Mexico today is one of the most dangerous places in the world to report the news, and Mexicans have taken to the street to defend freedom of expression. As Benjamin T. Smith demonstrates in his history of the press and civil society, The Mexican Press and Civil Society, 1940-1976: Stories from the Newsroom, Stories from the Street (University of North Carolina Press, 2018) the cycle of violent repression and protest over journalism is nothing new. He traces it back to the growth in newspaper production and reading publics between 1940 and 1976, when a national thirst for tabloids, crime sheets, and magazines reached far beyond the middle class. As Mexicans began to view local and national events through the prism of journalism, everyday politics changed radically. Even while lauding the liberty of the press, the state developed an arsenal of methods to control what was printed, including sophisticated spin and misdirection techniques, covert financial payments, and campaigns of threats, imprisonment, beatings